"Oblique" by Fellsilent had its release date on March 3, 2009. At 6 minutes and 47 seconds, this song is fairly long compared to the average song length. On top of that, this track is considered explicit and may be disturbing to some, including children. There are a total of 11 in the song's album "The Hidden Words". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Oblique's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Oblique by Fellsilent having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rareform | After The Burial | C Major | 9 | 8B | 125 BPM | ||
| Holomovement | The Contortionist | A♭ Minor | 8 | 1A | 108 BPM | ||
| Origin of Escape | Monuments | B♭ Major | 10 | 6B | 109 BPM | ||
| Lightshow Paralysis | Frontierer | A♭ Minor | 10 | 1A | 84 BPM | ||
| Life Through A Window | Structures | A♭ Major | 8 | 4B | 90 BPM | ||
| Digital Veil | The Human Abstract | B♭ Minor | 10 | 3A | 117 BPM | ||
| Immaterial | Haunted Shores | F Minor | 9 | 4A | 120 BPM | ||
| Equinox | Elitist | G Major | 9 | 9B | 135 BPM | ||
| Egocentric Focus | Uneven Structure | F♯ Major | 10 | 2B | 113 BPM | ||
| Outcome | Drewsif, Gary Eurice, Austin Woodward | B Major | 7 | 1B | 115 BPM | ||
| The Snake, Coiled And Irate | Poltergeist, Drew Barnicoat | D Major | 10 | 10B | 172 BPM | ||
| Requiem | Structures | D Major | 10 | 10B | 120 BPM | ||
| Setting the Skies Ablaze | Psycroptic | D♭ Major | 10 | 3B | 120 BPM | ||
| Illusion: Celestial | Skyharbor | B Minor | 9 | 10A | 123 BPM | ||
| Anhedonia, Pt. 2 | Drewsif | E Minor | 8 | 9A | 180 BPM | ||
| 97% Static | Monuments | D♭ Major | 10 | 3B | 104 BPM | ||
| Universal Love | Disperse | C Major | 10 | 8B | 121 BPM | ||
| Collateral Pleasure | Destrage | A♭ Major | 9 | 4B | 138 BPM | ||
| From Vanity To Utility | The HAARP Machine | C Major | 10 | 8B | 180 BPM | ||
| Echelons To Molotovs | The Human Abstract | A♭ Major | 10 | 4B | 97 BPM | ||
| Pleiadian Keys | The HAARP Machine | C Major | 10 | 8B | 180 BPM | ||
| Cavil | A Life Once Lost | C Minor | 10 | 5A | 97 BPM | ||
| Room 11 | Distorted Harmony | F♯ Major | 10 | 2B | 173 BPM | ||
| Ascend from Disruption | Circle of Contempt | C Major | 10 | 8B | 130 BPM | ||
| Ivy & Wine | Glass Cloud | B♭ Major | 10 | 6B | 162 BPM |