Extra Arms's 'Leave the Ones That Left' had a release date set for October 11, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Extra Arms's "In Parallel" album is number 6 out of 11. Based on our statistics, Leave the Ones That Left's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leave the Ones That Left by Extra Arms to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In My Way Again | Spøgelse | A Major | 9 | 11B | 176 BPM | ||
| So Long | The Stripp | G Major | 9 | 9B | 92 BPM | ||
| Glitchy Tremolo Fuzz | Shane Brian Riffmaster | A Major | 8 | 11B | 131 BPM | ||
| Stop And Search | Cyanide Pills | A Minor | 9 | 8A | 128 BPM | ||
| Miserable Bastard | The Bags | D♭ Major | 9 | 3B | 166 BPM | ||
| Draggin The Chain | Street Sweeper | B Minor | 10 | 10A | 188 BPM | ||
| Take It In | Unfinished Wood | A Major | 9 | 11B | 124 BPM | ||
| 3AM Anderson Drive | Marc Valentine | A Major | 5 | 11B | 140 BPM | ||
| No Fool | Mala Vista | E Major | 9 | 12B | 106 BPM | ||
| Bueno Sera Sara | Fin-de-Siècle | E Minor | 8 | 9A | 141 BPM | ||
| Aretha Franklin | The Sleeveens | F♯ Major | 9 | 2B | 192 BPM | ||
| Cold and Rainy Days | Dan Vapid & the Cheats | D Major | 8 | 10B | 154 BPM | ||
| Remember It? | Mach Pelican | G Major | 9 | 9B | 92 BPM | ||
| High Skool Girls | Sloppy Seconds | G Major | 8 | 9B | 103 BPM | ||
| I'm Wrong, You're Gone | Natalie Sweet | C Major | 7 | 8B | 163 BPM | ||
| Hold Me (All the Time) | Extra Arms | E Major | 10 | 12B | 160 BPM | ||
| Real Rain | The Turbo A.C.'s | D Major | 10 | 10B | 198 BPM | ||
| All Good Things Take Time | Extra Arms | E Major | 9 | 12B | 148 BPM | ||
| Jet Black Heart | Radio Cult | D♭ Minor | 7 | 12A | 76 BPM | ||
| Digital Riot | Mc Loyda | F♯ Major | 9 | 2B | 101 BPM | ||
| Shark Eyes | The Paranoid Style | G Major | 9 | 9B | 92 BPM | ||
| Calling Your Bluff | Brad Marino | G Major | 9 | 9B | 92 BPM | ||
| Static Love Affair | The Prize | E Major | 9 | 12B | 82 BPM | ||
| Connie | The Prize | F Major | 10 | 7B | 163 BPM | ||
| The Conversation | Music City | G Major | 9 | 9B | 92 BPM |