Thomas Parisch's ' "Robonautics" was released on its scheduled release date, March 27, 2020. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Robonautics's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 29 in Biped Original Game Soundtrack by Thomas Parisch. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, Robonautics is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Robonautics by Thomas Parisch is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moonlight Sonata | Kaptain, Thomas Parisch, Laurent Ziliani | C Minor | 1 | 5A | 67 BPM | ||
| War | Thanos Papadellis | G Minor | 5 | 6A | 128 BPM | ||
| Silent Party | Laurent Ziliani, Thomas Parisch | G Major | 5 | 9B | 115 BPM | ||
| Efectos Colaterales | Hombres De Marte | B♭ Minor | 3 | 3A | 100 BPM | ||
| World Tour | Jurther | B Minor | 1 | 10A | 125 BPM | ||
| Coming to Kill You | Masami Ueda | A Major | 3 | 11B | 162 BPM | ||
| On the Horizon | 大本望美 | C Minor | 1 | 5A | 68 BPM | ||
| The Awakening of Evil | Pinar Toprak, Gerrit Wunder | C Major | 6 | 8B | 137 BPM | ||
| Happy Transit | 泡姆泡姆, Thomas Parisch | G Major | 8 | 9B | 118 BPM | ||
| Tales Of Tribulation | Thomas Parisch | E Minor | 2 | 9A | 46 BPM | ||
| Poison Raft | Danny Elfman | C Minor | 6 | 5A | 101 BPM | ||
| Mystery Circuits | 泡姆泡姆, Thomas Parisch | G Major | 8 | 9B | 118 BPM | ||
| Parting with Marvin | Zhenlan Kang | C Minor | 1 | 5A | 77 BPM | ||
| Habladurias | Hombres De Marte | D♭ Major | 4 | 3B | 85 BPM | ||
| Fase Umbral | Lumen Sonico | G Minor | 1 | 6A | 130 BPM | ||
| Into Madness | Akiyuki Morimoto | F Minor | 3 | 4A | 76 BPM | ||
| Qasmin | Dinbin Mau | A♭ Minor | 3 | 1A | 68 BPM | ||
| Adrenaline Overdrive | Jason Solowsky | F Minor | 5 | 4A | 157 BPM | ||
| Bass Code | 泡姆泡姆, Thomas Parisch | C Major | 4 | 8B | 96 BPM | ||
| At Stake | The Misty Corvus | G Major | 6 | 9B | 126 BPM | ||
| PUNK RECORDS | Kohei Tanaka | D Major | 9 | 10B | 112 BPM | ||
| A Treatment for Sherry | 土屋 裕一 | G Major | 5 | 9B | 124 BPM | ||
| Where It All Begins | Masatoshi Yanagi | E Minor | 1 | 9A | 78 BPM | ||
| Epocas Doradas | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | B♭ Major | 3 | 6B | 125 BPM | ||
| Farewell | Jhon Allan, Kesha | F♯ Major | 4 | 2B | 105 BPM |