"Romance" by Bernard Herrmann had its release date on 1964. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Bernard Herrmann's "Marnie (Complete Original Motion Picture Score)" album is number 15 out of 51. On top of that, United States appears to be the country where this track was created. In terms of popularity, Romance is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romance by Bernard Herrmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Volto di donna - Hammond Version | Piero Umiliani | C Major | 3 | 8B | 105 BPM | ||
| Blow Out - Excerpt from Blow Out | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Isla (The Sapphic Sleep) | Alejandro Jodorowsky | E♭ Minor | 2 | 2A | 72 BPM | ||
| Eastside Rebel | Trevor Duncan | B♭ Major | 4 | 6B | 106 BPM | ||
| Farewell Blues | SEATBELTS | C Minor | 1 | 5A | 74 BPM | ||
| Quei giorni insieme a te (Theme) | Riz Ortolani | C Major | 4 | 8B | 98 BPM | ||
| Poursuite - Bande originale du film "À bout de souffle" | Martial Solal | A♭ Major | 5 | 4B | 153 BPM | ||
| Nightmare | Artie Shaw | A Minor | 2 | 8A | 67 BPM | ||
| Carlito's Way | Patrick Doyle | G Major | 1 | 9B | 68 BPM | ||
| House of Woodcock | Jonny Greenwood | D Minor | 1 | 7A | 67 BPM | ||
| Voice in Sight | Berto Pisano | F Major | 3 | 7B | 105 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| Generique | Miles Davis | F Minor | 3 | 4A | 115 BPM | ||
| Skating In Central Park | Bill Evans, Jim Hall | C Major | 0 | 8B | 124 BPM | ||
| I Want To Talk About You | Ryo Fukui | A♭ Major | 2 | 4B | 115 BPM | ||
| Miles and Maya | Rolfe Kent | G Minor | 0 | 6A | 65 BPM | ||
| Love Theme From Chinatown (Main Title) - From The "Chinatown" Soundtrack | Jerry Goldsmith | G Minor | 3 | 6A | 40 BPM | ||
| Blade Runner Blues | Vangelis | F Minor | 7 | 4A | 123 BPM | ||
| Slow | André Hossein | D Minor | 1 | 7A | 63 BPM | ||
| Weekend With Mary | Stelvio Cipriani | A Minor | 2 | 8A | 141 BPM | ||
| Quasi un sogno | Sandro Brugnolini | F Major | 2 | 7B | 69 BPM | ||
| Camille | Georges Delerue | F♯ Minor | 3 | 11A | 72 BPM | ||
| Future Markets | Jonny Greenwood | F Minor | 3 | 4A | 133 BPM | ||
| Diary of a Taxi Driver | Bernard Herrmann, Robert DeNiro | D Minor | 4 | 7A | 120 BPM | ||
| Budgerigars Fantasy | Sven Libaek | C Minor | 2 | 5A | 85 BPM |