Deathly Hours's 'Bloody Mary' had a release date set for February 10, 2026. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Bloody Mary and no other songs are present in the album, we classify this track as a single. Based on our statistics, Bloody Mary's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bloody Mary by Deathly Hours is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jealous Type - Rock | HEXXENMIND | C Minor | 5 | 5A | 130 BPM | ||
| Blade of No Return | EPIC VIBRATIONS | E♭ Major | 6 | 5B | 110 BPM | ||
| I have an Idea | Becrob | D♭ Minor | 8 | 12A | 144 BPM | ||
| Daemonettes of Slaanesh | EBM Hate | D♭ Minor | 8 | 12A | 144 BPM | ||
| Make It Hurt | Aya Thorn | D♭ Minor | 8 | 12A | 144 BPM | ||
| Crown of the Molten Dawn (Chapter 2) | Oath of Lilith, Peter Vain | D♭ Minor | 8 | 12A | 144 BPM | ||
| One Final Thing (Scarlet El Vandimion) | Azazel the Heavy Metal Bard | D♭ Minor | 8 | 12A | 144 BPM | ||
| Crown Of Thorns - Acoustic | Crimson Vale | D♭ Minor | 8 | 12A | 144 BPM | ||
| Born of Black Sand | OniWavesOrigin, OniWavesRock | A♭ Major | 8 | 4B | 140 BPM | ||
| Fracture | Grave Horizon | F♯ Minor | 7 | 11A | 138 BPM | ||
| Lipstick and Blood Stains | Belle Deville | B Minor | 7 | 10A | 95 BPM | ||
| Idols Made of Glass | WHITEFIRE | D♭ Minor | 8 | 12A | 144 BPM | ||
| Unveil | Jiah | E♭ Minor | 6 | 2A | 82 BPM | ||
| Fire and Motion | Jonathan Mann | D♭ Minor | 8 | 12A | 144 BPM | ||
| We Stand Tall - Alternate Version | Sakura Yuki | D♭ Minor | 8 | 12A | 144 BPM | ||
| Punchy Nashville Twang | Guitar Knight Gregorio | E Minor | 9 | 9A | 132 BPM | ||
| Grave Between Us | Deathly Hours | B♭ Minor | 6 | 3A | 172 BPM | ||
| Trauma Speaks | Serenity's Soul Music AI | D♭ Major | 8 | 3B | 110 BPM | ||
| I Am Not Sorry | Machine Six | D♭ Minor | 8 | 12A | 144 BPM | ||
| S1E5 : Stone Echoes, Hollow Screams | The Bardic DM | F♯ Major | 8 | 2B | 94 BPM | ||
| Sensory Overload | Kozmic | F♯ Major | 7 | 2B | 176 BPM | ||
| Poison Kiss | Mika Akakuma | B♭ Minor | 9 | 3A | 96 BPM | ||
| Seize the Crown | Heavy Meikki, Susanna Alexandra | C Major | 9 | 8B | 141 BPM | ||
| The Mysteries of Straight Paths & Understanding | Ashes & Altars | E♭ Minor | 7 | 2A | 176 BPM | ||
| Burning Stardust | Waltersmith Soundclave | C Minor | 8 | 5A | 139 BPM |