"Elegy For Extinction" by Enter Shikari had its release date on April 17, 2020. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Nothing is True & Everything is Possible". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Elegy For Extinction's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Elegy For Extinction by Enter Shikari having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Undercover Agents | Enter Shikari | A♭ Major | 8 | 4B | 144 BPM | ||
| Channeling, Pt. 1 (feat. Dan Mayo) | Mike Shinoda, Dan Mayo | F Minor | 9 | 4A | 102 BPM | ||
| Ishmael | Caspian | G Major | 5 | 9B | 130 BPM | ||
| What Lies At The Dream's End | Daniel Pemberton | D Minor | 3 | 7A | 87 BPM | ||
| Chorale - Pt. 4 | Max Richter, KiKi Layne, Grace Davidson, Mari Samuelsen, Robert Ziegler | A♭ Major | 4 | 4B | 112 BPM | ||
| Kangaezu Ni | While She Sleeps | A Minor | 1 | 8A | 116 BPM | ||
| Ruins | Unprocessed | C Major | 8 | 8B | 113 BPM | ||
| Earthing | Intervals | F♯ Minor | 10 | 11A | 180 BPM | ||
| Transitions | Mike Shinoda | A Minor | 7 | 8A | 88 BPM | ||
| Crumbs | David Maxim Micic | E♭ Minor | 0 | 2A | 88 BPM | ||
| Childhood / Land of the Young | Yair Elazar Glotman, Jóhann Jóhannsson, Robert Aiki Aubrey Lowe, Else Torp, Kate Macoboy, Viktor Orri Árnason, Budapest Art Orchestra | F Major | 1 | 7B | 90 BPM | ||
| Slip the Noose (Orchestral) | The Maine, Andrew Joslyn | F Major | 4 | 7B | 172 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| OUT OF THE BLUE | While She Sleeps | F♯ Minor | 5 | 11A | 110 BPM | ||
| THE INNOCENT | FEVER 333 | F Minor | 9 | 4A | 103 BPM | ||
| Convergence | Nordic Giants | B♭ Minor | 3 | 3A | 145 BPM | ||
| Tide’s Change | Volumes | E Minor | 7 | 9A | 131 BPM | ||
| NERVOUS | While She Sleeps, Simon Neil | C Major | 9 | 8B | 124 BPM | ||
| The Woods | While She Sleeps | A Minor | 3 | 8A | 70 BPM | ||
| Having No Head | The 1975 | B Major | 6 | 1B | 118 BPM | ||
| Mountainside | Protest The Hero | D Minor | 1 | 7A | 175 BPM | ||
| Coma Blue - Instrumental | Annisokay | A Major | 10 | 11B | 114 BPM | ||
| Rivet | Protest The Hero | F Minor | 10 | 4A | 108 BPM | ||
| Heaven, Alone | Invent Animate | A♭ Major | 2 | 4B | 141 BPM | ||
| Leap into the Lightning | Enter Shikari | C Minor | 9 | 5A | 144 BPM |