Carmen Maki's ' "手紙" was released on its scheduled release date, 1970. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 想い出にサヨナラ〜カルメン・マキ’70〜, so we believe that "手紙" is a single. The popularity of 手紙 is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 手紙 by Carmen Maki is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| バレンタイン・デー | Ayumi Ishida, ティン・パン・アレー | D Minor | 3 | 7A | 130 BPM | ||
| 上を向いて歩こう - ウエスタン風:1973年09月11日 at 渋谷公会堂 | Kyu Sakamoto | G Major | 2 | 9B | 80 BPM | ||
| 21才 | Konomi Sasaki | G Minor | 6 | 6A | 135 BPM | ||
| いにしえ | Higurashi | G Minor | 8 | 6A | 130 BPM | ||
| 雪が降る | Kiyohiko Ozaki | F Minor | 4 | 4A | 111 BPM | ||
| ひとり旅 | Ayumi Ishida, ティン・パン・アレー | G Major | 5 | 9B | 82 BPM | ||
| でももう花はいらない | Off Course | C Major | 4 | 8B | 171 BPM | ||
| Aishuu Ressha | Michiya Mihashi | B♭ Minor | 1 | 3A | 91 BPM | ||
| ざんげの値打ちもないPart1 | 北原ミレイ | A♭ Minor | 6 | 1A | 99 BPM | ||
| 汚れっちまった悲しみに | 友川かずき | F♯ Minor | 6 | 11A | 110 BPM | ||
| さよならぼくのともだち | 森田童子 | B Minor | 2 | 10A | 89 BPM | ||
| 幸せになるため | Hi-Fi Set | E Major | 3 | 12B | 178 BPM | ||
| Dawn Scat | Ike Reiko | D Minor | 3 | 7A | 101 BPM | ||
| 下町の太陽 | Chieko Baisho | B Minor | 3 | 10A | 137 BPM | ||
| 土曜の夜は羽田に来るの | Hi-Fi Set | A♭ Major | 6 | 4B | 88 BPM | ||
| 時計をとめて | 草間ルミ | D♭ Major | 3 | 3B | 143 BPM | ||
| 羽田発7時50分 | Frank Nagai | A♭ Major | 1 | 4B | 84 BPM | ||
| ふれあい | Masatoshi Nakamura | C Minor | 2 | 5A | 123 BPM | ||
| It Is This Twilight | Ike Reiko | A♭ Minor | 3 | 1A | 105 BPM | ||
| Sayonara No Kane | Hako Yamasaki | E Major | 5 | 12B | 122 BPM | ||
| あなたには | Ichiro Shimoda | C Major | 1 | 8B | 139 BPM | ||
| 奴さん | Chiemi Eri | G Major | 4 | 9B | 161 BPM | ||
| さよならのあとで | ジャッキー吉川とブルー・コメッツ | B Minor | 6 | 10A | 104 BPM | ||
| Reijin no Uta | Noboru Kirishima | G Minor | 4 | 6A | 77 BPM | ||
| 誰を怨めばいいのでございましょうか | Kan Mikami | D Major | 2 | 10B | 135 BPM |