Rajan & Sajan Mishra's 'Shri Hanuman Chalisa' had a release date set for 1991. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 5 in Bhaktimala - Hanuman Volume 2 by Rajan & Sajan Mishra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Shri Hanuman Chalisa's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Shri Hanuman Chalisa by Rajan & Sajan Mishra is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tarana in Drut Teentaal | Mukesh Pandey, Rajan & Sajan Mishra | G Minor | 10 | 6A | 113 BPM | ||
| Shriram Chandra Kripalu Bhajman | Rajan & Sajan Mishra | F Minor | 5 | 4A | 119 BPM | ||
| Om Shram Shreem Shroum Sah Chandraya Namah: Chandra Beej Mantra 108 Times in 5 Minutes | Dinesh Arjuna | E Major | 7 | 12B | 82 BPM | ||
| Naiya Jukavi Meto | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Shiv Tandav Stotram | रावण रचित शिव तांडव स्त्रोत | Hari cassettes | F♯ Major | 6 | 2B | 80 BPM | ||
| Sri Hanuman Kavacham | Puttur Narasimha Nayak | D♭ Major | 4 | 3B | 82 BPM | ||
| Ya Devi Sarv Bhuteshu | Anuradha Paudwal, Kavita Paudwal, Suresh Wadkar | A Major | 6 | 11B | 135 BPM | ||
| Sri Sarada Devi Dhyanam | Ramakrishna Math, Swami Sarvagananda | F Minor | 6 | 4A | 110 BPM | ||
| Rama Krishna Hari | Sachin Llimaye | A♭ Major | 1 | 4B | 66 BPM | ||
| Bhaj Hare Krishna Jap Hare Krishna | Gufi Paintal | D♭ Major | 3 | 3B | 168 BPM | ||
| Tumase Ho Jori | Rishi Nityapragya | G Minor | 3 | 6A | 88 BPM | ||
| Aaye raghukul beer | Maithili Thakur | E♭ Major | 5 | 5B | 167 BPM | ||
| Laxmi Mantra Dhun Chant | Vishal Khera | E♭ Major | 5 | 5B | 73 BPM | ||
| Raag Mishra Desh | Hasmukh Patadiya and Chorus | D Major | 6 | 10B | 85 BPM | ||
| Maha Lakshmi Chalisa | Anuradha Paudwal, Kavita Paudwal, Suresh Wadkar | D♭ Major | 7 | 3B | 133 BPM | ||
| Teri Ban Jaayegi | Prem Bhushan Maharaj | A Minor | 4 | 8A | 118 BPM | ||
| Radha Kripa Ktaksh Stotra | Devi Chitralekhaji | F♯ Major | 5 | 2B | 145 BPM | ||
| Devi Avahanam | Hema Desai, Chorus | D Major | 3 | 10B | 107 BPM | ||
| Murta Maheshvaram | Ramakrishna Math, Swami Sarvagananda, Swami Narendrananda | F♯ Major | 7 | 2B | 113 BPM | ||
| Hari Om Tat Sat Namah Shivaya | Sri Sathya Sai Bhajans | F♯ Major | 5 | 2B | 80 BPM | ||
| Kunjika Stotram | Prem Prakash Dubey | F♯ Major | 7 | 2B | 142 BPM | ||
| Priya Radhe | Acharya Mridul Krishna Goswami | F♯ Major | 8 | 2B | 84 BPM | ||
| Ganpati Sankat Nashan Stotra | Pradeep Bhinde | D Major | 3 | 10B | 85 BPM | ||
| Shri Badrinarayan Aarti | Vishwajeet Borwankar | F Major | 5 | 7B | 80 BPM | ||
| Ambalatharase | Ramakrishna Math, C V Kannan | A Minor | 4 | 8A | 99 BPM |