Joseph Haydn, The Angeles String Quartet's 'String Quartet In D Major, Hob. III:63, (Op. 64 No. 5 "The Lark"): 3. Menuet (Allegretto)' had a release date set for January 1, 2000. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, The Angeles String Quartet's "Haydn: Complete String Quartets" album is number 7 out of 280. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, String Quartet In D Major, Hob. III:63, (Op. 64 No. 5 "The Lark"): 3. Menuet (Allegretto)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of String Quartet In D Major, Hob. III:63, (Op. 64 No. 5 "The Lark"): 3. Menuet (Allegretto) by Joseph Haydn, The Angeles String Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Pantomime des nymphes et des bergers | Christoph Willibald Gluck, Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | B Major | 2 | 1B | 110 BPM | ||
| Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" | Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 0 | 4B | 80 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville): Sinfonia | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | G Major | 1 | 9B | 97 BPM | ||
| Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
| Double Bass Concerto in D Major: II. Adagio | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
| Symphony in E-Flat Major, Op. 11, No. 3: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | E♭ Major | 0 | 5B | 83 BPM | ||
| Sinfonia in A Major, WolS I. A-3: I. Allegro assai | Johann Stamitz, Südwestdeutsches Kammerorchester Pforzheim, Timo Handschuh | F Major | 1 | 7B | 205 BPM | ||
| Concerto for 2 Flutes in D Major (Ed. P. Gallois): II. Largo | Saverio Mercadante, Patrick Gallois, Kazunori Seo, Czech Philharmonic Chamber Orchestra | D Minor | 0 | 7A | 70 BPM | ||
| Keyboard Sonata in A Major, Wq. 55/4, H. 186: I. Allegro assai | Carl Philipp Emanuel Bach, Christopher Hinterhuber | A Major | 1 | 11B | 156 BPM | ||
| Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
| Symphony in E Major, Z. 8, "Clio": II. Andante in canone | Wenzel Pichl, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 76 BPM | ||
| Symphony in D Major, Op. 3, No. 2: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 0 | 10B | 80 BPM | ||
| Keyboard Sonata in D Minor, Wq. 51/4, H. 128, "Fortsetzung Sonata No. 4": I. Allegro assai | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F Major | 2 | 7B | 142 BPM | ||
| Serenade No. 1 in D Major, Op. 11: IVb. Menuetto II | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | G Minor | 0 | 6A | 99 BPM | ||
| Grand Concerto for Bassoon and Orchestra in F: 1. Allegro moderato | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 122 BPM | ||
| Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM | ||
| Keyboard Concerto in D Minor, BWV 1052: I. Allegro - Performed on Piano | Johann Sebastian Bach, András Schiff, Chamber Orchestra of Europe | G Minor | 3 | 6A | 120 BPM | ||
| Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
| La locandiera Overture: I. Allegro assai | Antonio Salieri, Matthias Bamert, London Mozart Players | F Major | 0 | 7B | 78 BPM | ||
| Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 143 BPM | ||
| String Quartet No. 3 in D Major, Op. 18 No. 3: 1. Allegro | Ludwig van Beethoven, Emerson String Quartet | D Major | 1 | 10B | 101 BPM | ||
| Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
| Die Schöpfung, Hob. XXI:2, Pt. 1: No. 2, Aria. Nun schwanden vor dem heiligen Strahle – Chorus. Verzweiflung, Wut und Schrecken | Joseph Haydn, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | A Major | 1 | 11B | 172 BPM | ||
| Sinfonia Concertante in C Major: II. Romance | Johann Wilhelm Wilms, Harmonie Universelle, Andreas Spering | E♭ Major | 0 | 5B | 92 BPM | ||
| Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 1 | 12B | 114 BPM |