Kalpana's ' "Korwa Mele La Raja Ji" was released on its scheduled release date, October 17, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Saiyan Ke Saath Maddaiya". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Korwa Mele La Raja Ji's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Korwa Mele La Raja Ji by Kalpana having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sadiya Kariya | Ankush Raja, Karishma Kakkar | B♭ Major | 9 | 6B | 85 BPM | ||
| Aakhiya Me Kajrawa | Chandan Chanchal, Shilpi Raj | C Major | 10 | 8B | 156 BPM | ||
| Hamara Chahi Re Chhuri U U U | Awadhesh Premi | G Major | 7 | 9B | 140 BPM | ||
| Sound Par Sutake Chaar Round Marle | Awadhesh Premi Yadav | D♭ Major | 10 | 3B | 155 BPM | ||
| Odhaniya Waali Se | Udit Narayan, MANOJ TIWARI | A♭ Minor | 7 | 1A | 118 BPM | ||
| Jab Se Earba Hath Ferle | Awadhesh Premi | F Minor | 10 | 4A | 130 BPM | ||
| Bheetara Laagela Pala Re | Guddu Rangila | C Major | 9 | 8B | 112 BPM | ||
| Chikan Saman - "Aashik Aawara" | Kalpana Patowary, Dinesh Lal Yadav | A Major | 9 | 11B | 168 BPM | ||
| Makaiya Me Raja Ji | Pawan Singh, Khushboo Jain | D♭ Major | 9 | 3B | 84 BPM | ||
| Lens Neela Neela | Alok Kumar, Saloni Thakur | F♯ Minor | 10 | 11A | 117 BPM | ||
| Matan Khake Batan Khole | Chandan Chanchal | A Minor | 10 | 8A | 128 BPM | ||
| Pandeyji Ka Beta Hoon With Dialogues | Ritesh Pandey, Indu Sonali, Pradeep Panday Chintu | F♯ Minor | 9 | 11A | 150 BPM | ||
| Bhatar Othlali Pa Jiyta | Samar Singh, Neha Raj | F♯ Minor | 10 | 11A | 145 BPM | ||
| Daate Kat Lele Raja Ji | Shani Kumar Shaniya | F♯ Minor | 10 | 11A | 150 BPM | ||
| Sara Raata Uluk Bhaluk - Original | Maynamoti Das, NA | E Minor | 10 | 9A | 123 BPM | ||
| Jaisan Sochela | Kalpana Patowary, Pappu Ojha | A Minor | 8 | 8A | 83 BPM | ||
| Bam Lagatar | Khushi Kakkar | G Minor | 10 | 6A | 123 BPM | ||
| Rowela Naina | Alok Ranjan | F♯ Minor | 9 | 11A | 120 BPM | ||
| Jag Hai Pa Jata | Kalpana Patowary, Pawan Singh | F Minor | 9 | 4A | 110 BPM | ||
| Sawarka Re | Antra Singh Priyanka | D♭ Major | 9 | 3B | 135 BPM | ||
| Palang Majabut | Ankush Raja, Shivani Singh | B Minor | 9 | 10A | 132 BPM | ||
| Nakhra | Mintuaa, Shilpi Raj, Kunal Mishra | C Major | 8 | 8B | 108 BPM | ||
| Hero Banamali | Kundan Kumar, Kanika Karmakar | D♭ Major | 9 | 3B | 115 BPM | ||
| Udtani Raja Ke Dam Pe | Divyank Deva, Shilpi Raj | A Minor | 10 | 8A | 136 BPM | ||
| Tohra La Kehu Jiyela | Karina Pandey | F♯ Major | 7 | 2B | 137 BPM |