Pierre Rode, Axel Strauss's ' "24 caprices en formes d'etudes: No. 12 in G-Sharp Minor" was released on its scheduled release date, December 15, 2009. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 24 caprices en formes d'etudes: No. 12 in G-Sharp Minor is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 24 caprices en formes d'etudes: No. 12 in G-Sharp Minor by Pierre Rode, Axel Strauss having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro | Joseph Haydn, Quatuor Arod | G Major | 2 | 9B | 102 BPM | ||
| Violin Concerto No. 13 in F-Sharp Minor / A Major: III. Allegretto | Pierre Rode, Friedemann Eichhorn, SWR Rundfunkorchester Kaiserslautern, Nicolás Pasquet | A Major | 2 | 11B | 89 BPM | ||
| Havanaise, Op. 83: III. Allegro ma non troppo - 2020 Remastered Version | Camille Saint-Saëns, Zino Francescatti, William Smith, Columbia Symphony Orchestra | E♭ Major | 4 | 5B | 113 BPM | ||
| Concerto for Cello and Orchestra in A Minor, Op. 129: Nicht zu schnell | Robert Schumann, Steven Isserlis, Deutsche Kammerphilharmonie, Christoph Eschenbach | A Minor | 1 | 8A | 124 BPM | ||
| Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
| La ronde des Lutins | Antonio Bazzini, Christian Li, Timothy Young | G Major | 5 | 9B | 98 BPM | ||
| Bottesini: Double Bass Concerto No. 2 in B Minor: II. Andante | Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra | G Major | 1 | 9B | 72 BPM | ||
| Caprice No. 12 | Yaroslav Medvedev-Taraldset, Davian Monfette | G Minor | 3 | 6A | 87 BPM | ||
| Violin Sonata No. 4 in D Major, HWV 371, Op. 1: II. Allegro | Anthony Bracewell, Jun Cho | D Major | 1 | 10B | 123 BPM | ||
| Perpetual Motion, Op. 28 | Jayda Leysath, Yaroslav Medvedev-Taraldset | G Minor | 5 | 6A | 103 BPM | ||
| Eternal Dreams | Luna Mystic | E Major | 3 | 12B | 164 BPM | ||
| Sonata No. 3 for Solo Violin in C Major, BWV 1005: IV. Allegro assai | Johann Sebastian Bach, Gidon Kremer | C Major | 2 | 8B | 138 BPM | ||
| Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
| Etude No. 6, Variations On "The Last Rose Of Summer" | Heinrich Wilhelm Ernst, Yu-Chien Tseng | G Major | 1 | 9B | 99 BPM | ||
| Dance of the goblins | Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
| Moz-Art für zwei Violinen (Nach dem Fragment KV 416d) | Alfred Schnittke, Clarissa Bevilacqua, Larissa Cidlinsky | G Major | 6 | 9B | 157 BPM | ||
| Dvořák: Violin Sonatina in G Major, Op. 100, B. 183 "Indian Lament": II. Larghetto | Antonín Dvořák, Itzhak Perlman, Samuel Sanders | D♭ Major | 1 | 3B | 88 BPM | ||
| Fallen Angel: V. Violin Cadenza | Mateusz Smoczyński | B Minor | 1 | 10A | 88 BPM | ||
| Glazunov: Violin Concerto in A Minor, Op. 82: I. Moderato (Live) | Alexander Glazunov, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | G Minor | 1 | 6A | 100 BPM | ||
| Minute Caprice (rec. pre-1915/ single face record/ HMV: 5-7955-b) | Jacques Thibaud, Pierre Rode | D♭ Major | 1 | 3B | 139 BPM | ||
| Tarantella Brillante | Bryant Paskewitz, Yaroslav Medvedev-Taraldset | G Minor | 2 | 6A | 169 BPM | ||
| Allegro appassionato for Cello and Orchestra, Op. 43 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Minor | 1 | 9A | 67 BPM | ||
| Dvořák: Violin Sonatina in G Major, Op. 100, B. 183 "Indian Lament": III. Scherzo. Molto vivace | Antonín Dvořák, Itzhak Perlman, Samuel Sanders | D♭ Major | 1 | 3B | 92 BPM | ||
| Legende, Op. 17: Andante - Allegro moderato - Tempo I | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | G Minor | 1 | 6A | 75 BPM | ||
| Violin Concerto No. 5 in A Major K. 219 ‘Turkish’: I. Allegro aperto | Wolfgang Amadeus Mozart, Public Domain, James Ehnes, Mozart Anniversary Orchestra | A Major | 1 | 11B | 124 BPM |