Stephen Styles's ' "Zero to Hillbilly" was released on its scheduled release date, December 4, 2025. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Zero to Hillbilly's duration is considered a little bit shorter than the average duration of a typical track. Since Zero to Hillbilly only contains only one song in the album, we like to consider this song as a single. Zero to Hillbilly is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Zero to Hillbilly by Stephen Styles has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Zero to Hillbilly being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bad Day Not to Be Here | Barefoot Joe | G Major | 7 | 9B | 120 BPM | ||
| Missin' You | Bryan Frazier | D♭ Major | 7 | 3B | 100 BPM | ||
| Boomerang | Nick Cain | E Major | 6 | 12B | 122 BPM | ||
| Dying to Be Seen | Devin Cooper | C Major | 7 | 8B | 100 BPM | ||
| Where the freeways end | Adam Esrick | B Minor | 5 | 10A | 93 BPM | ||
| Angel | Luke Brown & The Jubilee | E Major | 6 | 12B | 114 BPM | ||
| Hard On Your Hometown | Levi Blom | C Major | 8 | 8B | 128 BPM | ||
| Eastern Shore | Luke Brown & The Jubilee | F♯ Major | 6 | 2B | 84 BPM | ||
| Neon Whiskey | Brandt Carmichael | G Major | 10 | 9B | 160 BPM | ||
| Boys Chase Girls | Josh Weathers | E Major | 10 | 12B | 79 BPM | ||
| Pick Your Poison | Makenzie Phipps | G Minor | 9 | 6A | 96 BPM | ||
| Mask of Toughness | Hank Devlin | E Minor | 7 | 9A | 89 BPM | ||
| NOTHING ON YOU | Jet Jurgensmeyer | E♭ Major | 6 | 5B | 76 BPM | ||
| Why Not Whiskey | Austin Michael | E♭ Major | 8 | 5B | 124 BPM | ||
| Anytime Anywhere | Richard Schroder | E Major | 8 | 12B | 125 BPM | ||
| Dirty Little Hallelujah | Doc Raven | G Major | 6 | 9B | 87 BPM | ||
| Leaving With the Summer | Reid Morris | F♯ Major | 7 | 2B | 164 BPM | ||
| Saltwater Sundays | 850 Media Productions | B♭ Minor | 5 | 3A | 156 BPM | ||
| Coverage | Austin Brown | D♭ Major | 7 | 3B | 100 BPM | ||
| Girls from the Ruhr | Soundzeche, Fritz | D♭ Major | 7 | 3B | 100 BPM | ||
| Compass Low | Storm Chant | D♭ Major | 7 | 3B | 100 BPM | ||
| One More Good One | Bryan Frazier | D♭ Major | 7 | 3B | 83 BPM | ||
| Diesel and Dust | Highway Dollars | G Major | 6 | 9B | 166 BPM | ||
| Tear it Up | Willie Tate | E Major | 4 | 12B | 85 BPM | ||
| Show me everything you got | Carter Blackwell | D♭ Major | 7 | 3B | 100 BPM |