Rabisankar RSR's ' "O Go Shyama Maa" was released on its scheduled release date, October 8, 2025. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since O Go Shyama Maa only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, O Go Shyama Maa's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With O Go Shyama Maa by Rabisankar RSR having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Preyoshi | Chirkut, Subham Mitra | E Major | 4 | 12B | 108 BPM | ||
| Gantar Utsav | Rabisankar RSR | G Major | 8 | 9B | 134 BPM | ||
| Meera | Rahul Dutta | A Minor | 5 | 8A | 150 BPM | ||
| Alor Thikana | Gourab Sarkar | D♭ Major | 3 | 3B | 115 BPM | ||
| Cholo Bristite | Tanjib Sarowar, Dil Afroz | B Minor | 7 | 10A | 100 BPM | ||
| Eta Amader Golpo - From "Eta Amader Golpo" | Lagnajita Chakraborty, Pranjal Das | E Major | 1 | 12B | 77 BPM | ||
| Ami Cheye Cheye Dekhi Saradin | Miftah Zaman | D Major | 5 | 10B | 121 BPM | ||
| Laal Rong (From "Talmar Romeo Juliet") | Debayan Banerjee, Anirban Bhattacharya, Debraj Bhattacharya | B♭ Major | 4 | 6B | 165 BPM | ||
| Shraboner Dharar Moto | Mekhla Dasgupta | A Major | 5 | 11B | 148 BPM | ||
| Projapoti | Prashmita Paul | D♭ Major | 6 | 3B | 126 BPM | ||
| Je Bhabei Tumi | Subhamita | C Minor | 3 | 5A | 90 BPM | ||
| Baanjaara | Mohammed Irfan | G Major | 8 | 9B | 100 BPM | ||
| Aar Kadas Na | Keshab Dey | D Minor | 5 | 7A | 142 BPM | ||
| Nadir Jemon Jharna Aachhe | Priyanka | D♭ Major | 6 | 3B | 148 BPM | ||
| Songi Hobi | Mausam Mukherjee | B♭ Minor | 7 | 3A | 160 BPM | ||
| Kotobaro Vebechinu | Mekhla Dasgupta | D♭ Major | 5 | 3B | 135 BPM | ||
| Koto Kotha Bola Holo Na Priyo | Abhishek Das | D Major | 2 | 10B | 84 BPM | ||
| Tor Abdare - From "Awara" | Imran Mahmudul, Rajashri Bag | B Minor | 5 | 10A | 110 BPM | ||
| Bandhu Bhabi | Upal Sengupta | E Major | 4 | 12B | 150 BPM | ||
| Amader Kotha Gulo | Somlata Acharyya Chowdhury | B♭ Major | 4 | 6B | 128 BPM | ||
| Amar Nishitho Raatero | Surangana Bandyopadhyay, Arindom | A♭ Major | 7 | 4B | 101 BPM | ||
| Nitol Paaye | Imran Mahmudul | D Major | 8 | 10B | 112 BPM | ||
| Bataas Dake Na | Subhamita | A♭ Minor | 4 | 1A | 82 BPM | ||
| Teri Hui Main Abse | Mansi Mehta, Parth Vyas | B Major | 7 | 1B | 175 BPM | ||
| Sokha Re Bondhu Re | Kallol Roy, Kriti Kashyap | G Major | 8 | 9B | 102 BPM |