"the monster" by Ryuichi Sakamoto had its release date on October 14, 2022. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 58 in Exception (Soundtrack from the Netflix Anime Series) by Ryuichi Sakamoto. the monster is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of the monster by Ryuichi Sakamoto is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Miss You | 巨勢典子 | G Major | 1 | 9B | 84 BPM | ||
| Sheep | Hiroshi Yoshimura | G Major | 1 | 9B | 81 BPM | ||
| Ryuichi Sakamoto: Andata | Helena Basilova | A♭ Minor | 1 | 1A | 68 BPM | ||
| 父亲的上班路 | 金承志, 上海彩虹室内合唱团 | E Major | 1 | 12B | 126 BPM | ||
| Komorebi | Yumiko Morioka | F Minor | 0 | 4A | 67 BPM | ||
| Hakukou | Ayatake Ezaki | E♭ Minor | 2 | 2A | 140 BPM | ||
| Still Waters 湖 | Marihiko Hara | G Major | 3 | 9B | 152 BPM | ||
| Moments Musicaux - Prelude | 阿部海太郎 | F♯ Major | 0 | 2B | 71 BPM | ||
| Moments Musicaux - Choral | 阿部海太郎 | D♭ Major | 0 | 3B | 142 BPM | ||
| Mad Rush: Part D (Bar 232 - Bar 273) | Philip Glass, Vestard Shimkus | F Major | 0 | 7B | 65 BPM | ||
| Adams: Hallelujah Junction: 1st Movement | John Adams, Nicolas Hodges, Rolf Hind | A♭ Major | 1 | 4B | 116 BPM | ||
| Dream 1 (before the wind blows it all away) - Pt. 4 | Max Richter | F♯ Major | 0 | 2B | 67 BPM | ||
| Rescue Him | Martin Gazzarrini | E♭ Major | 1 | 5B | 76 BPM | ||
| 潘心彤 Believed | Cicada | F Major | 0 | 7B | 76 BPM | ||
| Céramiste | Umitaro Abe | A Major | 2 | 11B | 79 BPM | ||
| Glass | Hania Rani | D♭ Minor | 1 | 12A | 103 BPM | ||
| Opening1(Mask) | Takeshi Kobayashi | C Major | 1 | 8B | 126 BPM | ||
| Drive My Car (The truth, no matter what it is, isn't that frightening) | Eiko Ishibashi | F♯ Major | 0 | 2B | 76 BPM | ||
| The Open Sky | Masaki Hayashi | B♭ Major | 1 | 6B | 78 BPM | ||
| Bokudakedemo | Soichi Noriki | B Minor | 0 | 10A | 61 BPM | ||
| 赤とんぼ(Aka Tombo) | Taeko Onuki, Ryuichi Sakamoto | B Major | 0 | 1B | 114 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 135 BPM | ||
| Sakura | Takahiro Kido | E♭ Major | 0 | 5B | 80 BPM | ||
| Calm - Original Mix | Elara Lilara | G Major | 2 | 9B | 130 BPM | ||
| Evil Does Not Exist | Eiko Ishibashi | E♭ Minor | 2 | 2A | 142 BPM |