Jake Heggie, Houston Grand Opera, Kwamé Ryan, Caitlin Lynch, Michael Mayes's 'Intelligence, Act Two: Callie/Travis Duet. Traitors' had a release date set for August 29, 2025. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Intelligence, Act Two: Callie/Travis Duet. Traitors's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges's "Jake Heggie: Intelligence" album is number 3 out of 25. Intelligence, Act Two: Callie/Travis Duet. Traitors is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intelligence, Act Two: Callie/Travis Duet. Traitors by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Caitlin Lynch, Michael Mayes to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Das Lied von der Erde: III. Von der Jugend. Behaglich, heiter | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | D Major | 0 | 10B | 74 BPM | ||
| Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
| 4 Lieder, Op. 27: No. 4, Morgen! | Richard Strauss, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 102 BPM | ||
| Gianni Schicchi: "Povero Buoso!" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Nicoletta Curiel, Orazio Mori, Giorgio Giorgetti, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | B♭ Minor | 1 | 3A | 66 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | D Major | 0 | 10B | 74 BPM | ||
| Vier Lieder, Op. 2: II. Schenk Mir Deinen Goldenen Kamm (Jesus Bettelt) | Arnold Schoenberg, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
| Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Barbara Bonney, Susan Graham, Wiener Philharmoniker, Christoph Eschenbach | F♯ Major | 1 | 2B | 78 BPM | ||
| Macbeth, Act IV: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Major | 0 | 10B | 74 BPM | ||
| Love blows as the wind blows: III Fill a glass with golden wine | George Butterworth, Jonathan Lemalu, Belcea Quartet | F Major | 0 | 7B | 87 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Da liegt nun der gute Topf in Scherben" [Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 172 BPM | ||
| The Year's At The Spring | Amy Beach, Sivan Goldman, Shira Shaked | D♭ Major | 3 | 3B | 109 BPM | ||
| Adams: Nixon in China: Act I, Scene 3 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Minor | 1 | 7A | 168 BPM | ||
| Birtwistle : Pulse Shadows : XII Todtnauberg | Harrison Birtwistle, Arditti Quartet, Reinbert de Leeuw | G Minor | 0 | 6A | 136 BPM | ||
| 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | D Major | 0 | 10B | 74 BPM | ||
| Tosca, Act III: E lucevan le stelle (Arr. for Saxophone Quartet & Piano by Stefan Malzew) | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Daniel Behle, Alliage Quintett | B Minor | 1 | 10A | 166 BPM | ||
| Tosca, Act I: Ah! Finalmente! | Giacomo Puccini, Giorgi Manoshvili, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | D Minor | 0 | 7A | 73 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Natural Selection: I. Creation | Jake Heggie, Regina Zona, Kathleen Tagg | B Minor | 0 | 10A | 93 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM | ||
| Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
| Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 1: "Où est Blanche ?" (Le Chevalier, Le Marquis) | Francis Poulenc, Jean-Luc Viala/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Marco Zambelli/London Chorus/Kent Nagano/Richard Cooke, Kent Nagano, Orchestre De L'Opéra National De Lyon | F Major | 2 | 7B | 83 BPM | ||
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | D Major | 0 | 10B | 74 BPM |