Bach, JS: Goldberg Variations, BWV 988: Variation XXVII. Canone alla nona by Johann Sebastian Bach, Beatrice Rana Song Details

"Bach, JS: Goldberg Variations, BWV 988: Variation XXVII. Canone alla nona" by Johann Sebastian Bach, Beatrice Rana had its release date on February 24, 2017. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 28 out of 32 in Bach: Goldberg Variations, BWV 988 by Johann Sebastian Bach, Beatrice Rana. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Goldberg Variations, BWV 988: Variation XXVII. Canone alla nona is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Bach, JS: Goldberg Variations, BWV 988: Variation XXVII. Canone alla nona by Johann Sebastian Bach, Beatrice Rana is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -42.143 dB
Acousticness: 99%
Danceability: 24%
Energy: 0%
Instrumentalness: 95%
Liveness: 6%
Loudness: 30%
Speechiness: 5%
Valence: 16%

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