Blue Rose Code, Kathleen MacInnes's ' "Sandaig" was released on its scheduled release date, October 27, 2017. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Water of Leith". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Sandaig's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sandaig by Blue Rose Code, Kathleen MacInnes having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bonnie Jean | Karen Matheson | F Major | 5 | 7B | 92 BPM | ||
| A Mhic Iain 'ic Sheumais | Ged Grimes, Kathleen MacInnes | E♭ Minor | 3 | 2A | 144 BPM | ||
| The Water of Tyne | Kathryn Tickell, Hannah Rickard | A Major | 3 | 11B | 100 BPM | ||
| Uibhist Mo Ghràidh | Julie Fowlis, Jenny Napier Keldie, Kathleen MacInnes, Saltfishforty | C Major | 3 | 8B | 142 BPM | ||
| I'm Still Standing Here | Karan Casey | B♭ Major | 3 | 6B | 90 BPM | ||
| Arrivals | Declan O'Rourke | F Major | 2 | 7B | 54 BPM | ||
| Thugainn a Bhlàrag | Kathleen MacInnes | A Major | 2 | 11B | 91 BPM | ||
| Take Its Own Time | Karine Polwart | E Major | 4 | 12B | 122 BPM | ||
| The Wild Atlantic Way | Blue Rose Code | F Major | 2 | 7B | 120 BPM | ||
| Out of Light | John McCusker, Kris Drever, Roddy Woomble | E Major | 3 | 12B | 110 BPM | ||
| Tide & Time | Kitty Macfarlane | B Minor | 4 | 10A | 124 BPM | ||
| The Well Below The Valley-O | Pauline Scanlon, Barry Kerr | D♭ Major | 4 | 3B | 172 BPM | ||
| In A World That Breaks Your Heart | Martyn Joseph | A Minor | 5 | 8A | 124 BPM | ||
| Speir Thoo the Wast Wind | Fara | D Major | 4 | 10B | 115 BPM | ||
| Swim Until You Can’t See Land | Karine Polwart | C Major | 5 | 8B | 149 BPM | ||
| Daisy | Karine Polwart | B♭ Major | 4 | 6B | 171 BPM | ||
| Sweet October | Aoife Scott | B Major | 1 | 1B | 136 BPM | ||
| Linden Lea | The Full English | B Major | 1 | 1B | 87 BPM | ||
| Birds of Passage | Breabach | F♯ Minor | 10 | 11A | 120 BPM | ||
| Dear My Maker | The Whileaways | C Major | 3 | 8B | 96 BPM | ||
| The Hills of Sweet Lislea | Goitse | F Major | 2 | 7B | 104 BPM | ||
| If I Go Sailing | Katie Theasby | A Major | 2 | 11B | 114 BPM | ||
| Are We Free? | Mick Flannery, Susan O'Neill | C Major | 5 | 8B | 77 BPM | ||
| Osmosis medley: Who Will Sing / Harlaw / Ally Bally Bee / Blackbird / Osmosis | Beth Malcolm | B♭ Major | 2 | 6B | 82 BPM | ||
| Crow Road Croft | Calum Stewart, Lauren MacColl | D Major | 3 | 10B | 109 BPM |