"Peter Grimes, Op. 33 / Act 2: "Fool To Let It Come To This!"" by Benjamin Britten, Jean Watson, Geraint Evans, Raymond Nilsson, Lauris Elms, James Pease, Orchestra of the Royal Opera House, Covent Garden had its release date on January 1, 1959. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Peter Grimes, Op. 33 / Act 2: "Fool To Let It Come To This!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 45 in Britten: Peter Grimes by Benjamin Britten, Sir Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden. Based on our statistics, Peter Grimes, Op. 33 / Act 2: "Fool To Let It Come To This!"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Peter Grimes, Op. 33 / Act 2: "Fool To Let It Come To This!" by Benjamin Britten, Jean Watson, Geraint Evans, Raymond Nilsson, Lauris Elms, James Pease, Orchestra of the Royal Opera House, Covent Garden is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brandenburg Concerto No. 1 in F, BWV 1046: 1. (Allegro) | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 3 | 7B | 159 BPM | ||
| Vespers (All-Night Vigil), Op. 37: VI. Rejoice, O Virgin | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | C Major | 3 | 8B | 78 BPM | ||
| Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | C Major | 1 | 8B | 94 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Vaughan Williams: Job, a Masque for Dancing, Scene 1: Sarabande of the Sons of God | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | D Major | 1 | 10B | 110 BPM | ||
| Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
| Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker, Rundfunkchor Berlin | G Major | 1 | 9B | 132 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| Symphony No. 5 in D Major: III. Romanza: Lento | Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels | D♭ Minor | 1 | 12A | 92 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Variations on a theme of Frank Bridge, Op. 10: VI. Bourrée classique | Benjamin Britten, English Chamber Orchestra | D Major | 2 | 10B | 103 BPM | ||
| Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM | ||
| Dona nobis pacem: Beat! Beat! Drums! | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | C Major | 2 | 8B | 83 BPM | ||
| A Mother's prayer | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders, Thomas Berg-Juul | F♯ Minor | 0 | 11A | 71 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Korngold: 6 Einfache Lieder, Op. 9: No. 1, Schneeglöckchen | Erich Wolfgang Korngold, Barbara Hendricks, Franz Welser-Möst, Philadelphia Orchestra | F♯ Minor | 2 | 11A | 66 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1, Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 79 BPM | ||
| Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Les soirs illuminés par l'ardeur du charbon, L.150 (Arr. by Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | D♭ Major | 0 | 3B | 79 BPM | ||
| Le Tombeau de Couperin, M. 68a: I. Prélude. Vif | Maurice Ravel, Les Siècles, François-Xavier Roth | F♯ Major | 0 | 2B | 74 BPM |