"タンデュ1 ~ノクターン第9番 ロ長調 Op.32-1~ - 4/4 8×8" by 滝澤 志野 had its release date on December 9, 2022. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ディア・ショパン ミュージック・フォー・バレエ・クラス, so we believe that "タンデュ1 ~ノクターン第9番 ロ長調 Op.32-1~ - 4/4 8×8" is a single. タンデュ1 ~ノクターン第9番 ロ長調 Op.32-1~ - 4/4 8×8 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of タンデュ1 ~ノクターン第9番 ロ長調 Op.32-1~ - 4/4 8×8 by 滝澤 志野 is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ポアント3 オリジナル - 3/4 8×8 | 滝澤 志野 | D Major | 2 | 10B | 65 BPM | ||
| Come What May (Adage) | Joey McNamara | G Major | 1 | 9B | 109 BPM | ||
| Rumanian Dance. Tendu | Josu Gallastegui | D♭ Minor | 2 | 12A | 148 BPM | ||
| Prelude No. 3 in G Minor | Matthew Thomas Soong, Anna Sutyagina | E♭ Major | 1 | 5B | 92 BPM | ||
| Skipping and Bumping | Leopold Sinclair | E Minor | 0 | 9A | 138 BPM | ||
| 莫札特: C大調第二十一號鋼琴協奏曲 | 孫穎 (SunYing) | C Major | 1 | 8B | 162 BPM | ||
| Barre : Pliés in Second Position (Long) - Lullaby for Dolly | Nolwenn Collet | B♭ Major | 1 | 6B | 68 BPM | ||
| 베토벤: 7개의 가벼운 작품 내림 마장조 작품번호 33-1 | 바리스타클래식 | E♭ Major | 1 | 5B | 161 BPM | ||
| Black Cat Rag (Accompaniment) | Craig Utting, Saoko Blendis | G Minor | 0 | 6A | 136 BPM | ||
| Warm Up 4/4 (Intermezzo Op.76 n°7) | The Ballet Pianist | A Minor | 1 | 8A | 70 BPM | ||
| Fondu (Swan Lake) | Nate Fifield | C Minor | 2 | 5A | 91 BPM | ||
| French Awakenings | Teres | G Major | 1 | 9B | 88 BPM | ||
| Battement tendu 1 in D-Major | Konstantin Mortensen | D Major | 1 | 10B | 103 BPM | ||
| Battement Soutenu. Metre 3/4. | Vadim Proshich, MetodoVadim | A♭ Major | 1 | 4B | 104 BPM | ||
| Temps Lie D Major (64) | Jack Lloyd O'Donnell, Wireless Lovebird | D Major | 1 | 10B | 134 BPM | ||
| Battement Tendu Simple I | Mario Richter | A♭ Major | 1 | 4B | 119 BPM | ||
| Adagio (A. Adam `Giselle`) | Youngsin Sarah Choi | C Major | 0 | 8B | 135 BPM | ||
| Slower Afternoon | Teres | C Major | 0 | 8B | 120 BPM | ||
| Ready Before the Call | Leopold Sinclair | F Major | 0 | 7B | 68 BPM | ||
| Berceuse, Op. 26 No. 7 - Welte-Mignon 970 | Ludwig Theodor Schytte, Anna Jutta Schytte, Peter Phillips | G Major | 1 | 9B | 71 BPM | ||
| Reminiscence | Chan Wei Tuck | F Major | 1 | 7B | 75 BPM | ||
| Plie in E-Flat Major, ballet "La fille mal Gardée", Lise variation in E-Flat Major, Act 1 | Konstantin Mortensen | E♭ Major | 1 | 5B | 150 BPM | ||
| バットマン・タンデュ 「フー・ケアーズ?」より”ザ・マン・アイ・ラブ” 4/4 64 | 滝澤 志野 | E♭ Major | 2 | 5B | 108 BPM | ||
| Rond De Jambe Par Terre 3/4 64 Counts | Marina Stolyar | D Major | 1 | 10B | 90 BPM | ||
| P. Tosti-Aprile | P. Tosti, Joo Hyun Lee | E♭ Major | 0 | 5B | 137 BPM |