"Blue Room" by Brandon K. Verrett had its release date on 2012. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Brandon K. Verrett's "Legend: Music From The Motion Picture" album is number 7 out of 20. Based on our statistics, Blue Room's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blue Room by Brandon K. Verrett to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elegy (from the "Man of Steel" Trailer) - Cover Version | Cinescore | D Minor | 1 | 7A | 79 BPM | ||
| Pull Out | Cavid Babayev, Constalanta | E Minor | 4 | 9A | 87 BPM | ||
| Relevancia Absoluta | Bellum Sanctus | C Major | 2 | 8B | 90 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| Entre la Realidad y la Fantasia | Ninfas De Ultramar | F Minor | 2 | 4A | 148 BPM | ||
| A Planet | Marc Streitenfeld | B Minor | 2 | 10A | 166 BPM | ||
| Kiss Him Goodbye | James Newton Howard | D Minor | 7 | 7A | 150 BPM | ||
| Always Alone | Sabir Babayev, Strelka | C Minor | 6 | 5A | 65 BPM | ||
| Valeria Remembered - Conan The Destroyer/Soundtrack Version | Basil Poledouris | F Minor | 3 | 4A | 75 BPM | ||
| Dudas Infundadas | Valores Especiales | E Minor | 2 | 9A | 88 BPM | ||
| Just in Time For | Turgut Kazimov, Tourgut | A♭ Major | 3 | 4B | 63 BPM | ||
| Suite From Cold Lazarus | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Knights | Farid Puber | A♭ Major | 3 | 4B | 120 BPM | ||
| Nada Es Como Antes | Valores Especiales | F Minor | 4 | 4A | 125 BPM | ||
| Elk Hunt | Trevor Jones | C Major | 5 | 8B | 193 BPM | ||
| Coffey on the Mile | Thomas Newman | D♭ Minor | 0 | 12A | 62 BPM | ||
| Dragon Age Inquisition Theme | Trevor Morris | D Major | 5 | 10B | 128 BPM | ||
| Killing an Old Friend | Nick Glennie-Smith | G Major | 4 | 9B | 169 BPM | ||
| District 9 | Clinton Shorter | C Minor | 3 | 5A | 135 BPM | ||
| Pulse | Arcadia | C Major | 3 | 8B | 115 BPM | ||
| Finale - The Sword in the Stone | Rohan Stevenson | B♭ Minor | 1 | 3A | 91 BPM | ||
| Deep Walk | Farid Puber | B Minor | 5 | 10A | 125 BPM | ||
| Miranda's Theme | John Ottman | F♯ Major | 2 | 2B | 81 BPM | ||
| Visit to the Ranch | Brandon K. Verrett | C Major | 0 | 8B | 68 BPM | ||
| Salamandar Battle | Steve Jablonsky | F Minor | 4 | 4A | 145 BPM |