上田正樹's ' "大阪へ出て来てから" was released on its scheduled release date, July 25, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "OSAKA". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. In terms of popularity, 大阪へ出て来てから is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 大阪へ出て来てから by 上田正樹 having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 海風 | Kaze | D Major | 7 | 10B | 106 BPM | ||
| ミセスマーメイド | The Checkers | D♭ Major | 7 | 3B | 106 BPM | ||
| 時間よ止まれ - Live at 横浜アリーナ'97 - Remastered 2022 | Eikichi Yazawa | F Major | 9 | 7B | 140 BPM | ||
| もうひとりの君を残して | Toshinobu Kubota | A Major | 6 | 11B | 113 BPM | ||
| Lucky Chanceをもう一度 - Single Mix | C-C-B | B Minor | 8 | 10A | 115 BPM | ||
| めまい | Kei Ogura | C Minor | 2 | 5A | 89 BPM | ||
| 小麦色のマーメイド | Seiko Matsuda | E♭ Major | 4 | 5B | 155 BPM | ||
| TAXI | Kiyomi Suzuki, Rats & Star | G Major | 4 | 9B | 70 BPM | ||
| ほんのノスタルジー | Takao Kisugi | B Minor | 6 | 10A | 116 BPM | ||
| 遠くで汽笛を聞きながら | ALICE | D♭ Major | 6 | 3B | 146 BPM | ||
| 好きさ | Anzen Chitai | D♭ Major | 9 | 3B | 118 BPM | ||
| もう一度 | Chiharu Matsuyama | F Minor | 3 | 4A | 133 BPM | ||
| Hold On Me | Kahoru Kohiruimaki | A♭ Minor | 9 | 1A | 125 BPM | ||
| 恋人も濡れる街角 | Masatoshi Nakamura | G Minor | 4 | 6A | 125 BPM | ||
| バスルームから愛をこめて | Kumiko Yamashita | D♭ Major | 3 | 3B | 82 BPM | ||
| シャドー・ボクサー | Shinji Harada | F Major | 5 | 7B | 129 BPM | ||
| 卒業写真 | Yumi Arai | C Major | 4 | 8B | 136 BPM | ||
| Tシャツに口紅 | Rats & Star | D Major | 6 | 10B | 119 BPM | ||
| 海 | サザンオールスターズ | A Major | 7 | 11B | 144 BPM | ||
| 逢いたくなった時に 君はここにいない | サザンオールスターズ | D Major | 7 | 10B | 97 BPM | ||
| 中央フリー・ウェイ | Mayo Shono | B Major | 7 | 1B | 107 BPM | ||
| 恋の女のストーリー | サザンオールスターズ | C Major | 5 | 8B | 200 BPM | ||
| Midnight Love Call | Seri Ishikawa | C Minor | 2 | 5A | 96 BPM | ||
| 私はピアノ | サザンオールスターズ | D Minor | 8 | 7A | 134 BPM | ||
| まちぶせ | Hitomi Ishikawa | A Minor | 5 | 8A | 114 BPM |