"Happy Ever After is so Once Upon a Time" by Haxholm Schmidt Moras, Rasmus Schmidt, Morten Haxholm, John Escreet, Seamus Blake had its release date on May 29, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Haxholm Schmidt Moras's "Moras" album is number 8 out of 8. On top of that, Denmark appears to be the country where this track was created. In terms of popularity, Happy Ever After is so Once Upon a Time is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Happy Ever After is so Once Upon a Time by Haxholm Schmidt Moras, Rasmus Schmidt, Morten Haxholm, John Escreet, Seamus Blake to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| equinox | Joel Ross | F♯ Minor | 3 | 11A | 129 BPM | ||
| The Sacred Place | Joel Ross | D Major | 4 | 10B | 112 BPM | ||
| St. Anne's | Ashley Henry | C Major | 3 | 8B | 114 BPM | ||
| Miyagi | Haxholm Schmidt Moras, Rasmus Schmidt, Morten Haxholm, John Escreet, Seamus Blake | C Major | 3 | 8B | 93 BPM | ||
| The Mind's Eye | Alex Tremblay | E Minor | 5 | 9A | 67 BPM | ||
| チェロキー | Chihiro Yamanaka | D Minor | 5 | 7A | 153 BPM | ||
| 12 Stars | Melissa Aldana | E♭ Major | 1 | 5B | 131 BPM | ||
| 2223 | Andreas Toftemark | G Major | 7 | 9B | 120 BPM | ||
| Absence | AGE | A♭ Major | 2 | 4B | 145 BPM | ||
| Emotion in Motion | Peter Martin | D♭ Major | 4 | 3B | 129 BPM | ||
| Contigo aprendi | Paquito D'Rivera | F Minor | 4 | 4A | 82 BPM | ||
| Depressed to Impress | Chris McCarthy, Takuya Kuroda, Sam Minaie, Eden Bareket, Steven Crammer | G Minor | 1 | 6A | 97 BPM | ||
| 7 Step To Heaven | John Patitucci, Vinnie Colaiuta, Bill Cunliffe | F Minor | 5 | 4A | 147 BPM | ||
| Exhale | Mathias Ruppnig, Kurt Rosenwinkel, Musina Ebobissé, Joander Cruz, Tony Tixier, Lorenz Heigenhuber | D Minor | 6 | 7A | 126 BPM | ||
| No Woman No Cry | Monty Alexander | C Major | 4 | 8B | 86 BPM | ||
| Night on the Town | TrackTribe | G Major | 3 | 9B | 95 BPM | ||
| Magic Dance | Kenny Barron Trio | D♭ Major | 5 | 3B | 171 BPM | ||
| Travelers | Aaron Parks | B♭ Minor | 5 | 3A | 133 BPM | ||
| Song of Those Who Seek | Michael Dease, Sharel Cassity, Eli Howell, Charles Scanlon | D Major | 4 | 10B | 112 BPM | ||
| Chan's Song (Never Said) | Michael Brecker | A♭ Major | 1 | 4B | 150 BPM | ||
| Autumn Nocturne | Danny Grissett, Vicente Archer, Kendrick Scott | G Major | 3 | 9B | 132 BPM | ||
| Triste | Joe Henderson | G Major | 4 | 9B | 87 BPM | ||
| Dim | Davy Mooney, Ko Omura | D Major | 1 | 10B | 138 BPM | ||
| Soul Survivor | Nuvole | G Major | 2 | 9B | 112 BPM | ||
| Mein Lieber Schumann I (D’après Davidsbündlertänze No. 2, Op. 6 de Robert Schumann) | Enrico Pieranunzi, André Ceccarelli, Diego Imbert | B♭ Major | 3 | 6B | 128 BPM |