Gordon Haskell's 'How Wonderful You Are' had a release date set for January 7, 2002. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gordon Haskell's "Harry's Bar" album is number 1 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, How Wonderful You Are is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How Wonderful You Are by Gordon Haskell to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She's Not There Anymore | Delbert McClinton & The Dick50 | D Major | 4 | 10B | 178 BPM | ||
| Angel Among Us | Lindsey Brier | E♭ Major | 2 | 5B | 126 BPM | ||
| Shadows on the Wall | Gordon Haskell | C Minor | 4 | 5A | 108 BPM | ||
| One Day Soon | Gordon Haskell | D♭ Minor | 6 | 12A | 120 BPM | ||
| Only the Ones We Love | Tanita Tikaram | F Major | 2 | 7B | 105 BPM | ||
| Stay by Me | Grażyna Łobaszewska, Floyd Anthony Phifer | C Minor | 6 | 5A | 144 BPM | ||
| You Don't Love Me | Maria Daines | F Major | 4 | 7B | 75 BPM | ||
| Golden Days | TOKUNBO | F Major | 3 | 7B | 113 BPM | ||
| Case of Blues | Emilie Schiøtt | D Major | 3 | 10B | 188 BPM | ||
| Tell me who you are | Uniatowski | A Minor | 6 | 8A | 124 BPM | ||
| Zou Bisou Bisou - English Version | Emilia Mitiku | C Major | 4 | 8B | 128 BPM | ||
| Hourglass | Michael Franks | F♯ Major | 1 | 2B | 183 BPM | ||
| Hold On | Robert Cray, The Robert Cray Band | B♭ Minor | 2 | 3A | 182 BPM | ||
| This Is Not America | Silje Nergaard | G Major | 2 | 9B | 108 BPM | ||
| The Last Time | Erin Boheme | C Major | 5 | 8B | 80 BPM | ||
| Coles Corner | Richard Hawley | G Major | 4 | 9B | 114 BPM | ||
| Trying to Win Your Love | Renee Olstead | A♭ Major | 2 | 4B | 181 BPM | ||
| More Than Madly | Gare Du Nord | G Minor | 3 | 6A | 104 BPM | ||
| Woman to Woman | Beverley Craven | C Major | 5 | 8B | 96 BPM | ||
| Song for you far away | Inger Marie Gundersen | C Major | 4 | 8B | 107 BPM | ||
| New York State Of Mind | Oleta Adams | F Major | 4 | 7B | 114 BPM | ||
| Someone To Love | Erin Boheme | B Major | 2 | 1B | 80 BPM | ||
| Everybody Knows | Sharon Robinson | D♭ Major | 2 | 3B | 134 BPM | ||
| For Sentimental Reasons | Glenn Frey | D♭ Major | 2 | 3B | 72 BPM | ||
| Sunday Kind Of Love | Freddy Cole | F Minor | 2 | 4A | 66 BPM |