ユーフォニアム 2番's ' "最後のオーディション 2番" was released on its scheduled release date, July 31, 2024. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "TVアニメ『響け!ユーフォニアム3』オリジナルサウンドトラック「つながるメロディ」". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Japan. Based on our statistics, 最後のオーディション 2番's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 最後のオーディション 2番 by ユーフォニアム 2番 having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clumsily but also Steadily | Takashi Ohmama | B♭ Major | 0 | 6B | 167 BPM | ||
| おおぞらをとぶ - Piano | IKKI OGUMA | D Minor | 1 | 7A | 80 BPM | ||
| School Life | maats | A♭ Major | 0 | 4B | 150 BPM | ||
| 八重の桜 - メインテーマ (piano solo ver.) | Ryuichi Sakamoto | B Minor | 1 | 10A | 73 BPM | ||
| 健全な悩み | fox capture plan | B Minor | 1 | 10A | 70 BPM | ||
| A dream that will never come true | Takuro Iga | A Major | 2 | 11B | 75 BPM | ||
| ガーシュイン:ラプソディ・イン・ブルーより | George Gershwin, のだめカンタービレ | E Major | 2 | 12B | 68 BPM | ||
| 綺麗な思い出 | うたたね歌菜 | G Major | 0 | 9B | 131 BPM | ||
| 三日月の舞 トランペットソロパート・オーディション (麗奈) | 高坂麗奈 | E♭ Major | 6 | 5B | 123 BPM | ||
| ダッタン人の踊り | 南中学校吹奏楽部 | A Major | 1 | 11B | 85 BPM | ||
| もっと早く!!もっともっと!! | 康 貞蘭 | B Major | 6 | 1B | 160 BPM | ||
| 黄昏の街 | Takuro Iga | E♭ Major | 2 | 5B | 73 BPM | ||
| 未来は風のように ~Piano Ver.~ | 藤澤慶昌 | C Major | 2 | 8B | 85 BPM | ||
| Tsurune the Movie - The First Shot | Masaru Yokoyama | C Major | 2 | 8B | 85 BPM | ||
| Waltz for ARIA | Takeshi Senoo | D Major | 2 | 10B | 70 BPM | ||
| 当たり前の景色 | 土屋俊輔, Yasunori Mitsuda | D Major | 6 | 10B | 158 BPM | ||
| そろそろ本題へ | うたたね歌菜 | G Major | 3 | 9B | 104 BPM | ||
| 星摘みのメロディ | 加藤達也 | D Major | 2 | 10B | 91 BPM | ||
| ファンタスマゴリア | フィルハーモニック・ウインズ 大阪 | C Major | 1 | 8B | 59 BPM | ||
| 母さんとの想い出 | Masaru Yokoyama | A♭ Major | 0 | 4B | 73 BPM | ||
| 一対の宝玉 | Marihiko Hara | C Minor | 1 | 5A | 82 BPM | ||
| 急げ! | fox capture plan | B♭ Minor | 3 | 3A | 126 BPM | ||
| タッちゃん | 戸田信子, 陣内一真 | C Major | 9 | 8B | 94 BPM | ||
| 「GR」より シンフォニック・セレクション | Masamichi Amano, 玉名女子高等学校吹奏楽部 | G Minor | 3 | 6A | 132 BPM | ||
| 課題曲(Ⅰ)「あんたがたどこさ」の主題による幻想曲 | 林大地, 宝塚市吹奏楽団 | G Minor | 3 | 6A | 69 BPM |