Marter's 'あの場所へ' had a release date set for October 19, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Through the Days of Fullfillment". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Japan. あの場所へ is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With あの場所へ by Marter having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 晩春Clarity | MGF | B Major | 8 | 1B | 95 BPM | ||
| Playback | AVOCADO BOYS | D♭ Major | 3 | 3B | 86 BPM | ||
| Good Old Days (feat. MAHINA APPLE) | Joint Beauty, MAHINA APPLE | A Major | 3 | 11B | 78 BPM | ||
| All in you | keigo | D♭ Major | 8 | 3B | 145 BPM | ||
| TIMELESS | Jambo Lacquer | C Major | 4 | 8B | 85 BPM | ||
| FLIGHT LIGHT - Prod.Peach Boi | YOHLU | F♯ Major | 6 | 2B | 73 BPM | ||
| jam | macico | D Major | 3 | 10B | 84 BPM | ||
| 夜汽車 feat. BASI & kojikoji | Tomita Lab., BASI & kojikoji | A Major | 5 | 11B | 117 BPM | ||
| Come on | GORO KUMAI | C Major | 4 | 8B | 152 BPM | ||
| 今夜は最高 | Shun Shun | D♭ Minor | 7 | 12A | 82 BPM | ||
| フルコトブミ | Tamaki Roy | A♭ Major | 5 | 4B | 75 BPM | ||
| human day | luvis | F♯ Major | 4 | 2B | 82 BPM | ||
| 満ちる日々 | Marter | E Minor | 5 | 9A | 78 BPM | ||
| 音の鳴る方へ | SUKISHA, kou-kei | C Minor | 6 | 5A | 144 BPM | ||
| &I | YOHLU | E Major | 6 | 12B | 110 BPM | ||
| 未来への道 | Marter | A Major | 5 | 11B | 93 BPM | ||
| I Can't Hide (feat. 大和田慧) | Snowk, Kei Owada | B Minor | 7 | 10A | 118 BPM | ||
| Palm's Dream | Marter & Yony, Marter, Yoshio Kobayashi | F♯ Minor | 5 | 11A | 133 BPM | ||
| Sunday Monday | Mizuki Ohira | C Major | 3 | 8B | 92 BPM | ||
| ハルニレ | Keyco | A♭ Major | 7 | 4B | 80 BPM | ||
| Attachments | Yuta Bandoh, Leo Imai, Daisuke Suzuki, 佐藤采香, 大家一将 | E Major | 4 | 12B | 149 BPM | ||
| Come and Go | Mamiko Suzuki | A♭ Major | 8 | 4B | 180 BPM | ||
| Coffee Party | 写楽, matatabi | E♭ Major | 7 | 5B | 85 BPM | ||
| STRAWBERRY FIELDS | YOHLU | G Major | 7 | 9B | 93 BPM | ||
| 嘘寝 | tonun | G Major | 3 | 9B | 68 BPM |