Robert Graves's ' "Chapter 18 - Goodbye to All That" was released on its scheduled release date, February 27, 2025. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Robert Graves's "Goodbye to All That" album is number 18 out of 274. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Chapter 18 - Goodbye to All That is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Chapter 18 - Goodbye to All That by Robert Graves to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Praise | young colina | F♯ Minor | 2 | 11A | 121 BPM | ||
| To Juan at the Winter Solstice | Robert Graves | D♭ Major | 2 | 3B | 125 BPM | ||
| No Space Here at All | Children's Bedtime Stories | D♭ Major | 3 | 3B | 134 BPM | ||
| beautiful faces. on the beach | paylindahbruk | D♭ Minor | 1 | 12A | 138 BPM | ||
| DONT BE LEFT BEHIND | DIVINELY APPOINTED | F♯ Major | 0 | 2B | 110 BPM | ||
| Chapter 267 - Goodbye to All That | Robert Graves | A♭ Major | 4 | 4B | 128 BPM | ||
| Chapter 83 - Goodbye to All That | Robert Graves | A♭ Major | 4 | 4B | 106 BPM | ||
| Tell Me I'm Pretty (or I'll Set Myself on Fire) | Nik_Poetry | D♭ Major | 2 | 3B | 54 BPM | ||
| Summer Night Horror Stories, Pt. 7 | Mr. Nightmare | B Major | 3 | 1B | 178 BPM | ||
| Radically | ShowBoy | D Major | 1 | 10B | 133 BPM | ||
| Embrace Challenges for Real Growth | Eckhart Tolle | D♭ Minor | 2 | 12A | 77 BPM | ||
| Said You Love Me | Momenee | A Minor | 2 | 8A | 98 BPM | ||
| The Rising Sun | Richard Burton | A Minor | 1 | 8A | 61 BPM | ||
| Father William | O' Rourke | A Minor | 1 | 8A | 160 BPM | ||
| In Your Eyes | Man Jova | D♭ Major | 4 | 3B | 75 BPM | ||
| Chapter 40 - Goodbye to All That | Robert Graves | D♭ Major | 4 | 3B | 111 BPM | ||
| Its just my | Richy Rich | G Major | 4 | 9B | 142 BPM | ||
| The White Goddess: pp. 3,10,11 | Robert Graves | D♭ Minor | 2 | 12A | 84 BPM | ||
| Teil 10 - Folge 5: Das indische Tuch | Edgar Wallace - Filmedition, Edgar Wallace, Harald Giertz-Petersson, Johannes Kai, Gerhard F. Hummel, Heinz Drache, Corny Collins, Hans Clarin | D♭ Major | 5 | 3B | 94 BPM | ||
| Twelfth Night, Act I Scene 1: If Music Be The Food Of Love, Play On... (Shakespeare) | Michael Sheen | F Major | 0 | 7B | 82 BPM | ||
| Dance At the Palace, Pt. 4 | Paul the Dreamtraveler | F Minor | 3 | 4A | 123 BPM | ||
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| Slaughterhouse 5, Pt. 4 | Kurt Vonnegut | B♭ Major | 1 | 6B | 120 BPM | ||
| No Difference | Shel Silverstein | F Minor | 1 | 4A | 88 BPM | ||
| Ozymandias by Percy Shelley | Sir John Gielgud | A♭ Major | 2 | 4B | 169 BPM |