"Twilight Carved in Shadows" by Obscyria had its release date on October 20, 2025. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Twilight Carved in Shadows only contains only one song in the album, we like to consider this song as a single. Twilight Carved in Shadows is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Twilight Carved in Shadows by Obscyria having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Challenge the Dead | Adrian Von Ziegler | B Major | 1 | 1B | 73 BPM | ||
| You Have Already Lost | Kyle Dixon & Michael Stein | F Major | 7 | 7B | 75 BPM | ||
| Dauntless Attack | Junkie XL | D Minor | 4 | 7A | 80 BPM | ||
| Solved The Code | Atli Örvarsson | E Major | 3 | 12B | 92 BPM | ||
| Expanse | Jameson Nathan Jones | A♭ Major | 2 | 4B | 119 BPM | ||
| How to Disappear Inside a Thirty Piece Orchestra | Adam Bryanbaum Wiltzie | E Major | 1 | 12B | 137 BPM | ||
| The Hex Morgana | Novectacle | F♯ Major | 5 | 2B | 120 BPM | ||
| 樹皮鞋 | 塞壬唱片-MSR, Camilo Forero | C Major | 2 | 8B | 194 BPM | ||
| 夜明けに向かって ~漂流海域 セイレーン海~ | Masayoshi Soken | F Minor | 2 | 4A | 83 BPM | ||
| just knoẅ | luh krazy | A♭ Major | 0 | 4B | 127 BPM | ||
| High | Peter Hont | C Major | 7 | 8B | 90 BPM | ||
| Blue Room | Tangerine Dream | C Major | 6 | 8B | 150 BPM | ||
| Not All There | Secession Studios, Greg Dombrowski | C Major | 2 | 8B | 120 BPM | ||
| Humble Disciple | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| Cotard | Enisum | C Major | 3 | 8B | 140 BPM | ||
| A Minute To Midnight | Hans Zimmer | G Major | 2 | 9B | 78 BPM | ||
| Leave Someday | Andrew Lockington | F Minor | 3 | 4A | 119 BPM | ||
| Never Give Up | Nathan Whitehead | G Minor | 1 | 6A | 77 BPM | ||
| Altar of Hope (Act 1) | Stuart Chatwood | A Major | 3 | 11B | 78 BPM | ||
| Hidden Intentions | Piotr Musiał | D Minor | 3 | 7A | 71 BPM | ||
| First Regression | Jed Kurzel | D Major | 5 | 10B | 90 BPM | ||
| Michael's Finale | Alan Howarth | F♯ Minor | 3 | 11A | 123 BPM | ||
| Cursed Hana Valley | Capcom Sound Team | A Minor | 2 | 8A | 169 BPM | ||
| Deus Vult | Legado de una Tragedia | D Minor | 0 | 7A | 82 BPM | ||
| Bad Angel Michael | David Arnold, Tori Amos | C Major | 5 | 8B | 92 BPM |