Ella Fitzgerald's ' "Ac-cent-tchu-ate The Positive - Live At The Crescendo" was released on its scheduled release date, November 10, 2009. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Ac-cent-tchu-ate The Positive - Live At The Crescendo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 77 in the song's album "Twelve Nights In Hollywood". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Ac-cent-tchu-ate The Positive - Live At The Crescendo's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ac-cent-tchu-ate The Positive - Live At The Crescendo by Ella Fitzgerald having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ruby, My Dear | Thelonious Monk, John Coltrane | B♭ Major | 1 | 6B | 66 BPM | ||
| How Deep Is The Ocean | Catherine Russell | F Minor | 3 | 4A | 105 BPM | ||
| Monday Again | Nat King Cole Trio | D Minor | 0 | 7A | 68 BPM | ||
| Do Nothin' Till You Hear from Me | Ella Fitzgerald | C Major | 3 | 8B | 109 BPM | ||
| I've Got The World On A String | Nat King Cole Trio | D♭ Major | 1 | 3B | 74 BPM | ||
| Words Can't Describe | Sarah Vaughan | D♭ Major | 1 | 3B | 66 BPM | ||
| Begin the Beguine | Artie Shaw | G Major | 2 | 9B | 141 BPM | ||
| Taking A Chance On Love | Ella Fitzgerald | G Major | 3 | 9B | 76 BPM | ||
| Stardust | Artie Shaw | F Major | 2 | 7B | 85 BPM | ||
| Daddy's Little Girl | The Mills Brothers | E♭ Major | 0 | 5B | 89 BPM | ||
| It's Only A Paper Moon | Ella Fitzgerald, The Delta Rhythm Boys | B♭ Major | 1 | 6B | 114 BPM | ||
| Ain't Misbehavin' | Fats Waller | C Minor | 2 | 5A | 98 BPM | ||
| Guess Who I Saw Today | Samara Joy | A♭ Major | 1 | 4B | 100 BPM | ||
| Crazy He Calls Me | Anita O'Day | B♭ Major | 1 | 6B | 69 BPM | ||
| Waiter, Ask The Man To Play The Blues | Ferber, Hunt, Travers, Freddy Cole | G Minor | 1 | 6A | 81 BPM | ||
| I've Got My Love to Keep Me Warm - New Mono to Stereo Mix | Lewis Armstrong, Ella Fitzgerald | C Major | 5 | 8B | 111 BPM | ||
| This Is Always | Betty Carter | E Minor | 1 | 9A | 114 BPM | ||
| Hallelujah, I Love Him So | Peggy Lee | D♭ Major | 2 | 3B | 139 BPM | ||
| It Might as Well Be Spring | Caity Gyorgy, Kyle Pogline | C Major | 5 | 8B | 100 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| Teach Me Tonight | Dinah Washington | A♭ Major | 2 | 4B | 73 BPM | ||
| Chatanooga Choo Choo | Glenn Miller, The Dorsey Brothers | A♭ Major | 6 | 4B | 145 BPM | ||
| Alone Together | Catherine Russell | G Major | 3 | 9B | 117 BPM | ||
| You're Nobody 'Til Somebody Loves You | Nat King Cole Trio | C Minor | 1 | 5A | 128 BPM | ||
| My One And Only Love | Oscar Peterson Trio | A♭ Major | 3 | 4B | 49 BPM |