Alec Guinness's ' "Act I Scene VI" was released on its scheduled release date, August 1, 2012. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Act I Scene VI's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alec Guinness's "Macbeth" album is number 6 out of 24. Based on our statistics, Act I Scene VI's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Act I Scene VI by Alec Guinness to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mock Orange | Louise Gluck | B♭ Minor | 4 | 3A | 111 BPM | ||
| The Relique | Richard Burton | G Major | 1 | 9B | 103 BPM | ||
| Talent Becomes the Glucksey | Sean William, Gordon C. Gauthier, Scott Hull, Masterdisk | B Minor | 1 | 10A | 181 BPM | ||
| No Difference | Shel Silverstein | F Minor | 1 | 4A | 88 BPM | ||
| Father William | O' Rourke | A Minor | 1 | 8A | 160 BPM | ||
| When we pray | Gurlt | D Minor | 1 | 7A | 101 BPM | ||
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| Success Is Counted Sweetest | Emily Dickinson | E♭ Major | 2 | 5B | 60 BPM | ||
| Chapter 42 - Geronimo Stilton, Books 25 - 26: The Search for Sunken Treasure / The Mummy with No Name | Geronimo Stilton, Bill Lobley | C Major | 2 | 8B | 75 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Introduction | New Philharmonia Orchestra, Richard Baker, Raymond Leppard | C Major | 0 | 8B | 171 BPM | ||
| Dualities | Spiritual Unfoldment with John Butler | D♭ Major | 3 | 3B | 118 BPM | ||
| She Walks In Beauty | Alex Jennings | F Minor | 1 | 4A | 63 BPM | ||
| Remember By Christina Rossetti | Christina Rossetti | D Major | 1 | 10B | 113 BPM | ||
| The Extasie | Richard Burton | A Minor | 2 | 8A | 109 BPM | ||
| The Hollow Men | T. S. Eliot, Robert Speaight | A♭ Major | 0 | 4B | 146 BPM | ||
| Lessons Learned in Moscow 17 | Rabbi Yoel Ferber | F Minor | 4 | 4A | 77 BPM | ||
| Embrace Challenges for Real Growth | Eckhart Tolle | D♭ Minor | 2 | 12A | 77 BPM | ||
| Jonah and the Great Fish | Riley Weber | B♭ Minor | 3 | 3A | 105 BPM | ||
| What happened in 2014? | Matthew Rix | D♭ Major | 3 | 3B | 119 BPM | ||
| Track 11 - Sword of Orion, Part 1 | Doctor Who, Nicholas Briggs, Paul McGann, India Fisher | D♭ Major | 4 | 3B | 79 BPM | ||
| Annabel Lee | Basil Rathbone | G Major | 1 | 9B | 108 BPM | ||
| Aladdin, Pt. 19 | Fairy Tales for Kids, Kids, Fairy Tales | A♭ Major | 1 | 4B | 124 BPM | ||
| Ode to Melancholy | Robert Donat | A♭ Major | 1 | 4B | 93 BPM | ||
| 3 True Disturbing Fall Horror Stories - Part 5 | Mr. Nightmare | F♯ Major | 2 | 2B | 87 BPM | ||
| John Donne - Death Be Not Proud | Richard Mitchley | C Minor | 1 | 5A | 87 BPM |