"Shell Shock: VI. Canto Of The Deserter Pt. 3" by Nicholas Lens, Nick Cave, The Monnaie Symphony Orchestra, Koen Kessels had its release date on February 25, 2016. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nicholas Lens, Nick Cave, The Monnaie Symphony Orchestra, Koen Kessels's "Lens: Shell Shock" album is number 6 out of 15. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Shell Shock: VI. Canto Of The Deserter Pt. 3 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Shell Shock: VI. Canto Of The Deserter Pt. 3 by Nicholas Lens, Nick Cave, The Monnaie Symphony Orchestra, Koen Kessels to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 AM | Hamilton Leithauser | D Major | 3 | 10B | 72 BPM | ||
| Just (After Song of Songs) | David Lang, Trio Mediæval, Garth Knox, Agnès Vesterman, Sylvain Lemêtre | D♭ Major | 4 | 3B | 109 BPM | ||
| De Dream | Nynke Laverman | D♭ Minor | 4 | 12A | 138 BPM | ||
| The Rest | Ari Frankel, Joseph Tawadros, Gibran Khalil Gibran, Andreas Scholl, Tamar Halperin | F Major | 1 | 7B | 81 BPM | ||
| Gateway Meditation | Paulis Montanders | C Minor | 0 | 5A | 62 BPM | ||
| Terra Aquarius | Nicholas Lens, Elka Simeonova, Nadia Vladimirova, Claron McFadden, Derek Lee Ragin, Jean-Paul Fauchécourt, Marcello Rosca | B♭ Major | 4 | 6B | 140 BPM | ||
| Eclipse | Constance Hauman, Blu Eye Extinction | F Major | 5 | 7B | 70 BPM | ||
| Metamorphosis Two - Arr. for Piano and Cello | Philip Glass, Duo Cassadó | A Minor | 2 | 8A | 113 BPM | ||
| Cynthia | Soap&Skin | B♭ Minor | 3 | 3A | 111 BPM | ||
| Won't You Call Me | Agnes Obel | C Major | 1 | 8B | 71 BPM | ||
| A Fish on Land | Lhasa De Sela | A Minor | 1 | 8A | 100 BPM | ||
| Chi Mai | Dans Dans | D Major | 2 | 10B | 82 BPM | ||
| La vie est une partouze - Version Piano – Voix | Arno, Sofiane Pamart | A Minor | 2 | 8A | 176 BPM | ||
| Litany of Transformation | Nicholas Lens, Nick Cave | F Minor | 1 | 4A | 118 BPM | ||
| It's Hard to Be Human | Lawrence Rothman, Marissa Nadler | B Minor | 3 | 10A | 140 BPM | ||
| Enceladus | Flèche Love | B Minor | 3 | 10A | 116 BPM | ||
| French Countryside | Jehnny Beth | C Major | 3 | 8B | 110 BPM | ||
| Jesce Sole | Piers Faccini, Vincent Segal | G Major | 1 | 9B | 83 BPM | ||
| Sabearelân | Nynke Laverman | E Minor | 0 | 9A | 120 BPM | ||
| OD'd in Denver (feat. Matt Sweeney) | Bill Callahan, Bonnie Prince Billy, Matt Sweeney | C Minor | 5 | 5A | 162 BPM | ||
| Try! | Airelle Besson, Benjamin Moussay, Fabrice Moreau, Isabel Sörling | B♭ Major | 1 | 6B | 106 BPM | ||
| Let Me Love You | Melanie De Biasio | E Minor | 3 | 9A | 146 BPM | ||
| Feel Again | Federico Albanese, Ghostpoet | F Minor | 2 | 4A | 127 BPM | ||
| The Future - Unplugged | SX | B Minor | 1 | 10A | 113 BPM | ||
| Hold Me | Reeve Schumacher | B Minor | 2 | 10A | 134 BPM |