- BPM
- 108
- Key
- B♭ Major
- Camelot
- 6B
The Second Waltz, Op. 99a (Arr. André Rieu) by Dmitri Shostakovich, André Rieu, Johann Strauss Orchestra Song Details
Dmitri Shostakovich, André Rieu, Johann Strauss Orchestra's 'The Second Waltz, Op. 99a (Arr. André Rieu)' had a release date set for January 1, 2011. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 17 in Die schönsten Walzer von André Rieu by André Rieu. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Second Waltz, Op. 99a (Arr. André Rieu) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of The Second Waltz, Op. 99a (Arr. André Rieu) by Dmitri Shostakovich, André Rieu, Johann Strauss Orchestra is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -11.945 dB
- Acousticness
- 96%
- Danceability
- 32%
- Energy
- 33%
- Instrumentalness
- 93%
- Liveness
- 96%
- Loudness
- 80%
- Speechiness
- 3%
- Valence
- 38%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | |
 | Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | |
 | Liebesträume, S. 541: No. 3, O lieb, so lang du lieben kannst! | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | |
 | A Little Birch Tree | Evgeny Dreizin, Nikolai Nazarov, Separate Exemplary Orchestra of USSR Defense Ministry | E♭ Minor | 2 | 2A | 65 BPM | |
 | Funeral March | Philharmonic Wind Orchestra, Marc Reift Orchestra | C Major | 0 | 8B | 118 BPM | |
 | Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | |
 | Jazz Suite No. 2: VI. Waltz No. 2 (Arr. for Chamber Ensemble) | Dmitri Shostakovich, Osterreichischen Salonisten | F Major | 0 | 7B | 138 BPM | |
 | Danzón No. 2: Danzon No. 2 (Live) | Arturo Márquez, Singapore Symphony Orchestra, Lan Shui | D Minor | 2 | 7A | 107 BPM | |
 | Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | |
 | Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | |
 | Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM | |
 | Le carnaval des animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM | |
 | Waltz No.2 | Cihat Aşkın | G Major | 8 | 9B | 85 BPM | |
 | Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | |
 | Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | |
 | Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | |
 | 13 Pieces, Op. 76: No. 3 Carillon | Jean Sibelius, Håvard Gimse | F Major | 0 | 7B | 72 BPM | |
 | Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | |
 | String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto - Live | Dmitri Shostakovich, Emerson String Quartet | G Major | 4 | 9B | 135 BPM | |
 | Nocturne No. 19 in E Minor, Op. 72 No. 1 | Frédéric Chopin, Benjamin Grosvenor | D Major | 0 | 10B | 138 BPM | |
 | The Well-Tempered Clavier I, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Lang Lang | C Major | 1 | 8B | 134 BPM | |
 | Gnossienne: No. 3 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 113 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Rêverie, L. 68 | Claude Debussy, Alain Planès | F Major | 0 | 7B | 63 BPM | |
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 172 BPM |
- ISRC
- DEUM70709273
- Label
- L-M Records/RCA Records