Alcvin Takegawa Ramos's 'San-An (Safe Passage/Delivery)' had a release date set for January 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zen Shakuhachi 1 - Japanese Traditional Flute For Meditation by Alcvin Takegawa Ramos. The song's track number on the album is #7 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. San-An (Safe Passage/Delivery) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since San-An (Safe Passage/Delivery) by Alcvin Takegawa Ramos has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With San-An (Safe Passage/Delivery) being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sokkan (Watching The Breath) | Alcvin Takegawa Ramos | B♭ Minor | 0 | 3A | 81 BPM | ||
| Ukigomo | Hideo Osaka, Watazumido | C Major | 1 | 8B | 87 BPM | ||
| 幽兰「唐开元督龙琴」 | 任静 | A Major | 3 | 11B | 107 BPM | ||
| 明君 | 成公亮 | G Major | 0 | 9B | 95 BPM | ||
| Gion Kouta | Hiroe Yonekawa, Megumi Yonekawa, Chikatoyo Tsujimoto, Toshiko Yonekawa, Masumi Yonekawa, Goro Yamoguchi | A Minor | 5 | 8A | 99 BPM | ||
| Take No Odori | Hideo Osaka, Watazumido | B Minor | 0 | 10A | 83 BPM | ||
| 阳关三叠 | 《琴学入门》, 任静 | G Minor | 1 | 6A | 113 BPM | ||
| Isuzugawa “The Holy River of Isuzu” | Satomi Saeki, Michio Miyagi | D Minor | 3 | 7A | 73 BPM | ||
| Roar Of Iron Horses | Sun Xin | D♭ Major | 0 | 3B | 98 BPM | ||
| Seoto | Yamato Ensemble | G Major | 4 | 9B | 82 BPM | ||
| Safe Delivery (San An) | Riley Lee | E Minor | 0 | 9A | 75 BPM | ||
| Ke chuyen ngay mua (Talking about harvest time) | Giang Thao, Dan The Nguyen | D Minor | 2 | 7A | 72 BPM | ||
| Before The Crack Of Dawn | Feng Bridge | C Major | 2 | 8B | 93 BPM | ||
| Autumn Yearning At Dongting Lake | Shuishan Yu | D♭ Major | 1 | 3B | 117 BPM | ||
| すき焼き | MOJI | B Minor | 3 | 10A | 176 BPM | ||
| Some Flowers Pray Through Their Radiance - Flute, Tablas & Drone | East India Dream Company | G Major | 2 | 9B | 98 BPM | ||
| Tosa-No-Sunayama | Katsunari Sawada | D♭ Major | 1 | 3B | 96 BPM | ||
| Honshirabe | Nonesuch Explorer Series | E♭ Major | 0 | 5B | 88 BPM | ||
| Nagare (Tsukushi) | Koto Ensemble Of The Ikuta School, Japan | A Minor | 3 | 8A | 117 BPM | ||
| Melody Of The Frontier Fortress | Liu Dehai | B♭ Major | 1 | 6B | 89 BPM | ||
| The Eastern Seas | Feng Bridge | E Minor | 1 | 9A | 102 BPM | ||
| Meeting God In An Isolated House | Zeng Chengwei | D Major | 1 | 10B | 147 BPM | ||
| Love Embroidery | Lin Shicheng | D Major | 2 | 10B | 142 BPM | ||
| Rembo-Nagashi | Ensemble Hijiri-Kaï | C Minor | 0 | 5A | 74 BPM | ||
| 3 Ballads in Memory of Hida: No. 2, Tachitsubura | Yamato Ensemble | D Minor | 2 | 7A | 135 BPM |