Martin Fuss's ' "The Good, The Bad…" was released on its scheduled release date, January 1, 1999. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Nightlife". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of The Good, The Bad… is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Good, The Bad… by Martin Fuss having a BPM of 183 with a half-time of 92 BPM and a double-time of 366 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rieles oxidados | Río eterno | G Minor | 5 | 6A | 96 BPM | ||
| Panicled | Karim Davis | G Minor | 3 | 6A | 148 BPM | ||
| Crimson Tape | Redline Jazz | A Minor | 6 | 8A | 92 BPM | ||
| Wanna Get Closer | The Sax Pack | C Major | 7 | 8B | 109 BPM | ||
| Nightlife | Martin Fuss | F Minor | 6 | 4A | 89 BPM | ||
| Mirage on the Deck | Monte Jazz Club | D Minor | 7 | 7A | 92 BPM | ||
| City Glow | AeroJazz Deluxe | G Minor | 7 | 6A | 170 BPM | ||
| Chispazos continuos | Piolet electrónico | C Minor | 2 | 5A | 128 BPM | ||
| Latin Armando - Intro | Martin Fuss | B♭ Major | 2 | 6B | 126 BPM | ||
| On the Move | Count Basic | F Minor | 6 | 4A | 99 BPM | ||
| Ondas | Martin Fuss | G Minor | 8 | 6A | 116 BPM | ||
| Polyphonic Society | Rhythm Brother | F Major | 8 | 7B | 100 BPM | ||
| Yachtlight Prelude | Miami Gold | E Minor | 7 | 9A | 90 BPM | ||
| Ocean Shuffle | Tropic Funk Collective | G Major | 7 | 9B | 111 BPM | ||
| Window Bar | Balcony Lounge Session | G Minor | 5 | 6A | 93 BPM | ||
| White Corridor | Chromalounge | A♭ Major | 5 | 4B | 92 BPM | ||
| Double Life | Chuck Loeb (For Jim Hall) | A♭ Major | 7 | 4B | 126 BPM | ||
| Below The Elements | Marco Vezzoso | B♭ Minor | 5 | 3A | 130 BPM | ||
| Indigo Signals | Cool Breeze Ensemble | F Minor | 5 | 4A | 97 BPM | ||
| Moonline Cruise | AeroJazz Deluxe | F Major | 7 | 7B | 98 BPM | ||
| Black Frost | Everette Harp | C Minor | 8 | 5A | 85 BPM | ||
| Midnight in Velvet City | Silk Lounge Collective | C Major | 6 | 8B | 90 BPM | ||
| Sapphire Draft | Cool Breeze Ensemble | F Minor | 5 | 4A | 102 BPM | ||
| Bubblegum Skyline | The Glitter Tapes | G Minor | 7 | 6A | 100 BPM | ||
| Summer Chill | Mark Whitfield | D♭ Major | 5 | 3B | 104 BPM |