"Where Were You?" by Kurt Kuenne had its release date on October 23, 2015. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Where Were You?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Shuffle (Original Motion Picture Score)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, Where Were You?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Where Were You? by Kurt Kuenne having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Place Where Dreams Come True / Shoeless Joe (From "Field Of Dreams") | Erich Kunzel, Cincinnati Pops Orchestra | F Major | 4 | 7B | 70 BPM | ||
| Ephemere Eternite | Sirjan | F Minor | 5 | 4A | 148 BPM | ||
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
| Forbidden Love | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Many Moons | Peter Nordahl | A Major | 0 | 11B | 80 BPM | ||
| One More Time | Kurt Kuenne | D Major | 1 | 10B | 100 BPM | ||
| Tatem Park | Shelly | G Minor | 1 | 6A | 69 BPM | ||
| Invention No. 2 | Helena Semanov | E Minor | 0 | 9A | 122 BPM | ||
| The Train Station | Marcelo Zarvos | E♭ Major | 0 | 5B | 56 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| A Christmas Morning | Maurizio Malagnini | D Major | 2 | 10B | 82 BPM | ||
| Gothic Dreamscape | Dark Orchestral Music | A Minor | 0 | 8A | 130 BPM | ||
| No Tears | Anne Dudley | B Major | 1 | 1B | 115 BPM | ||
| August 18, 2003 | Kurt Kuenne | B♭ Minor | 3 | 3A | 100 BPM | ||
| Seretse and Ruth | Patrick Doyle | D♭ Minor | 2 | 12A | 59 BPM | ||
| Sand Between Stars | Joseph R Dolan, Ghibli | A Major | 3 | 11B | 142 BPM | ||
| A Commuter's Trip | Roque Baños | G Minor | 3 | 6A | 141 BPM | ||
| Chaconne In D Major | Helena Semanov | E Minor | 0 | 9A | 122 BPM | ||
| Returning Home | John Barry, David White, English Chamber Orchestra | F Major | 2 | 7B | 68 BPM | ||
| Mr. Chambers | John Lunn | F Major | 3 | 7B | 78 BPM | ||
| Glasgow Love Theme | Craig Armstrong | A Major | 1 | 11B | 79 BPM | ||
| Silvestri: Feather Theme (From “Forrest Gump”) | Cincinnati Pops Orchestra, Erich Kunzel, Steven Reineke | G Major | 0 | 9B | 112 BPM | ||
| Shadows | Peter Nordahl | A Major | 0 | 11B | 80 BPM | ||
| Silent Grid | Alexander Monroe, Alex Monroe | C Major | 2 | 8B | 110 BPM |