"Open, To Love" by Paul Bley had its release date on February 1, 1973. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Open, To Love". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, Open, To Love's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Open, To Love by Paul Bley having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swing low, sweet chariot | Archie Shepp, Horace Parlan | G Major | 1 | 9B | 69 BPM | ||
| Humming Bird (Remastered 1985) | Paul Gonsalves | C Major | 3 | 8B | 145 BPM | ||
| Wonder Why | Cedar Walton | F Major | 1 | 7B | 75 BPM | ||
| Part 6 - Retrospect | Don Shirley | D♭ Major | 0 | 3B | 84 BPM | ||
| Prélude In Blue A L'Esquinade - BOF "Les liaisons dangereuses" | Art Blakey, Barney Wilen Quartet | F Minor | 2 | 4A | 100 BPM | ||
| Upon Stars | Aelor Finn | C Major | 3 | 8B | 72 BPM | ||
| A Ghost Of A Chance | Dizzy Reece | C Major | 2 | 8B | 104 BPM | ||
| Fin De L'affaire - Remastered | Hank Mobley | C Major | 3 | 8B | 72 BPM | ||
| Peace | Chico Freeman, Cecil McBee, John Hicks, Billy Hart | F Major | 3 | 7B | 65 BPM | ||
| Carolyn - Remastered 2000 / Rudy Van Gelder Edition | Hank Mobley | F Minor | 1 | 4A | 116 BPM | ||
| Effendi | McCoy Tyner Trio | A Minor | 4 | 8A | 69 BPM | ||
| Nobody knows the troubles I've seen | Archie Shepp, Horace Parlan | G Major | 0 | 9B | 66 BPM | ||
| Undernoise | Aelor Finn | C Major | 3 | 8B | 72 BPM | ||
| 朝日のようにさわやかに | The Great Jazz Trio | A♭ Major | 3 | 4B | 84 BPM | ||
| Sophisticated Lady | Cedar Walton | B♭ Minor | 1 | 3A | 130 BPM | ||
| Longer - Live at Aula Magna STS, Lugano-Trevano / 1999 | Paul Bley, Gary Peacock, Paul Motian | F Major | 3 | 7B | 91 BPM | ||
| The Sweetest Sounds | Bobby Timmons | D Minor | 3 | 7A | 135 BPM | ||
| If I should lose you | Chet Baker, Paul Bley | F Minor | 0 | 4A | 93 BPM | ||
| Love Lines | Lennie Tristano | E♭ Major | 1 | 5B | 111 BPM | ||
| I Could Write A Book | Kenny Drew Trio | G Minor | 2 | 6A | 148 BPM | ||
| Remember | Gil Evans | G Minor | 1 | 6A | 93 BPM | ||
| Body And Soul | Jason Moran | D♭ Major | 0 | 3B | 101 BPM | ||
| All the Things You Are - Alternate Take | Hampton Hawes | C Major | 3 | 8B | 72 BPM | ||
| Ida Lupino | Paul Bley | G Major | 3 | 9B | 103 BPM | ||
| Lover Man | Warne Marsh | C Major | 1 | 8B | 116 BPM |