On January 1, 1997, the song "Bhawan Phariyan Te" was released by Farooq Shad, Anwar Rafi. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The track order of this song in M.Ashraf's "Hum To Chale Susral (Original Motion Picture Soundtrack)" album is number 6 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Bhawan Phariyan Te's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bhawan Phariyan Te by Farooq Shad, Anwar Rafi to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Google Bata Do Khush Rehne Ki Dawai | Ajay Ji | A♭ Minor | 8 | 1A | 188 BPM | ||
| Maiya Ke Mahima Apaar | Amit Jha, Priya Jha | E Major | 8 | 12B | 82 BPM | ||
| Jaikara Jaikara Shyam Prabhu Ka | Sanju Sharma | G Major | 8 | 9B | 140 BPM | ||
| Sajoon | Saint Dr Gurmeet Ram Rahim Singh Ji Insan | F♯ Minor | 10 | 11A | 145 BPM | ||
| Jahan Ho Kyon Na | Abdul Habib Ajmeri | F Major | 9 | 7B | 139 BPM | ||
| Mere Janu Tera Pyar | Farooq Shad, Humera Channa | F♯ Major | 9 | 2B | 82 BPM | ||
| Haye O Rabba | Farooq Shad, Anwar Rafi | B♭ Major | 4 | 6B | 77 BPM | ||
| Mohabbat Ki Qeemat Ada Hum Karenge | Shahid Ali Khan | F♯ Major | 6 | 2B | 165 BPM | ||
| O Sathi Re | NAGESH BISWAL | A♭ Minor | 8 | 1A | 188 BPM | ||
| Chanda Baadal Mein Chhup Jaye | Rekha Rao, Parmeshwar Premi | D♭ Major | 7 | 3B | 84 BPM | ||
| Jabse Hua Pardesi | Devinder Kohinoor | E♭ Minor | 6 | 2A | 115 BPM | ||
| Tu Saag Mera | Farooq Shad, Shazia Manzoor | F♯ Minor | 9 | 11A | 88 BPM | ||
| Oh Hoye | Farooq Shad | A Minor | 9 | 8A | 129 BPM | ||
| Ei Hridoy Jure | Emon Khan | F♯ Minor | 9 | 11A | 106 BPM | ||
| Dil Tera Diwana Hai Sanam | Sadhana Sargam, Mohammad Salamat | D♭ Minor | 6 | 12A | 120 BPM | ||
| Tauba Yeh Naaz Aur Yeh Adaayen - Duet | Attaullah Khan, Hemlata | B♭ Major | 5 | 6B | 105 BPM | ||
| Are Rama Badra Se Barsela | Madan Rai | D♭ Major | 6 | 3B | 101 BPM | ||
| Tu Hai Musafir | Ram Shankar | A♭ Major | 5 | 4B | 85 BPM | ||
| Mujhe Gyan Do Maa Saraswati | Bela Sulakhe, Soham Chakraborty, Kalpana Patowary, Shailaja, Nitesh Raman, Upendra, Moon Thakur, Rajesh Jha | B♭ Minor | 7 | 3A | 135 BPM | ||
| Hum Faqiron Se Dosti Karlo | Nooran Lal | D♭ Major | 9 | 3B | 80 BPM | ||
| Tha Kise | Ranjit Rana | D Minor | 4 | 7A | 98 BPM | ||
| Uncha Nicha Pahar Parwat | Pawan | A♭ Minor | 8 | 1A | 188 BPM | ||
| Choritrohin | Bari Siddiqui | F Minor | 7 | 4A | 111 BPM | ||
| Mehfooz Rahen | NAGESH BISWAL | A♭ Minor | 8 | 1A | 188 BPM | ||
| Maiya Ka Gun Jo Gayega | Bela Sulakhe, Soham Chakraborty, Kalpana Patowary, Shailaja, Nitesh Raman, Upendra, Moon Thakur, Rajesh Jha | G Major | 6 | 9B | 84 BPM |