Joris Teepe, Tom Harrell, Don Braden, Darrell Grant, Carl Allen's ' "The Shadow" was released on its scheduled release date, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 10 in Bottom Line by Joris Teepe, Tom Harrell. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Shadow is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Shadow by Joris Teepe, Tom Harrell, Don Braden, Darrell Grant, Carl Allen is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rainy Night House | Marc Copland, Drew Gress, Jochen Rueckert | A Minor | 1 | 8A | 99 BPM | ||
| Ladino Jazz | Albare | A Minor | 5 | 8A | 100 BPM | ||
| It Used To Be Us | Lyle Jones | C Major | 1 | 8B | 84 BPM | ||
| Theme For Leon | Fredrik Kronkvist | F Minor | 3 | 4A | 108 BPM | ||
| Blues for the Real Human Beings | Seamus Blake, Tony Tixier, Florent Nisse, Gautier Garrigue | B♭ Minor | 6 | 3A | 104 BPM | ||
| Lament & Consolation | Suzan Veneman, Vincent Veneman | A♭ Minor | 2 | 1A | 122 BPM | ||
| Clouds | Nello Toscano, Seby Burgio, Alessandro Presti, Peppe Tringali | F Minor | 1 | 4A | 78 BPM | ||
| Infant Eyes | Out Of/Into, Gerald Clayton, Immanuel Wilkins, Joel Ross, Kendrick Scott, Matt Brewer | F Minor | 2 | 4A | 134 BPM | ||
| The Nearness of You | Kenny Barron, Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins | B♭ Minor | 1 | 3A | 85 BPM | ||
| Silent Dreams | The City of Birches | C Minor | 1 | 5A | 113 BPM | ||
| Señales del viento | Mattam Mejía | C Major | 3 | 8B | 74 BPM | ||
| Human Instinct | Human Being Human, Chris Cheek | C Major | 3 | 8B | 74 BPM | ||
| Tranquility | Jan Harbeck Quartet | C Minor | 1 | 5A | 83 BPM | ||
| Where We Used To Live | Esbjörn Svensson Trio | C Major | 1 | 8B | 95 BPM | ||
| A Flower Is a Lovesome Thing | Gathering in Jazz, Claus Waidtløw, Heine Hansen, Anders Mogensen | E Major | 4 | 12B | 95 BPM | ||
| Loaded Dice | Odo Lefebvre | E♭ Minor | 2 | 2A | 72 BPM | ||
| Sing Sing | Dave Douglas | C Major | 3 | 8B | 74 BPM | ||
| Fabienne | John Lee, Cory Weeds | F♯ Major | 1 | 2B | 162 BPM | ||
| Sad December | Central Park Quartet | D Minor | 2 | 7A | 109 BPM | ||
| The End of a Love Affair (feat. Joris Teepe & Rudy Royston) | Lewis Porter, Joris Teepe, Rudy Royston | F Major | 3 | 7B | 169 BPM | ||
| Blues for Chick II (feat. Joris Teepe & Rudy Royston) | Lewis Porter, Joris Teepe, Rudy Royston | F Minor | 5 | 4A | 131 BPM | ||
| Bittersweet | John Engels, Joris Teepe, Benjamin Herman | F Major | 5 | 7B | 97 BPM | ||
| Somebody Else's Song | Andrew McCormack | G Major | 1 | 9B | 103 BPM | ||
| Life And Death | Avishai Cohen | A Minor | 1 | 8A | 107 BPM | ||
| We Take No Prisoners | Joris Teepe Big Band, Joris Teepe | F Major | 6 | 7B | 132 BPM |