Deborah Coleman's ' "Don't Lie To Me" was released on its scheduled release date, March 21, 2000. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Soft Place To Fall". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Don't Lie To Me's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Don't Lie To Me by Deborah Coleman having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Three Alarm Desire | Altered Five Blues Band | A Major | 7 | 11B | 124 BPM | ||
| Stakes Have Gone Up | Sena Ehrhardt | C Major | 8 | 8B | 123 BPM | ||
| Bound To Roll | Julian Sas | C Major | 9 | 8B | 104 BPM | ||
| Lucky In Love | Tommy Castro | G Major | 8 | 9B | 116 BPM | ||
| Cold Man Cold | Karen Lovely | E Minor | 6 | 9A | 104 BPM | ||
| Take Me to Chicago | Dave Hole | D Major | 8 | 10B | 91 BPM | ||
| Take Me Witcha | Ronnie Baker Brooks | A Major | 8 | 11B | 109 BPM | ||
| Strong Like That | The Fabulous Thunderbirds | D Minor | 6 | 7A | 89 BPM | ||
| Last Chance | Sena Ehrhardt | A Major | 5 | 11B | 168 BPM | ||
| Stop Runnin' | Phantom Blues Band | F♯ Major | 4 | 2B | 120 BPM | ||
| Slow Down | Sena Ehrhardt | G Major | 7 | 9B | 126 BPM | ||
| Muddy Water | Becky Barksdale | A Major | 5 | 11B | 117 BPM | ||
| Trainwreck Blues | Ally Venable Band | E Minor | 7 | 9A | 131 BPM | ||
| Bad Boy | Deborah Coleman | F♯ Minor | 6 | 11A | 129 BPM | ||
| Oklahoma | Sari Schorr | A Major | 3 | 11B | 120 BPM | ||
| Funky Guitar Blues | Bryce Janey | F Major | 9 | 7B | 115 BPM | ||
| Fortunate Few | Carolyn Wonderland | A Major | 7 | 11B | 94 BPM | ||
| Ain't Got No Money | Sari Schorr | G Major | 7 | 9B | 87 BPM | ||
| Sweet Spot | Mark May | D Major | 8 | 10B | 109 BPM | ||
| Stronger | Jessy Martens and Band | F♯ Minor | 7 | 11A | 97 BPM | ||
| Let Me Be Gone | Altered Five Blues Band | B♭ Major | 8 | 6B | 130 BPM | ||
| The Battle Is Over (But The War Goes On) | Shemekia Copeland | C Major | 7 | 8B | 107 BPM | ||
| Love Fever | Ana Popovic | A Minor | 7 | 8A | 100 BPM | ||
| Bluesman | Bill Perry | B Minor | 8 | 10A | 106 BPM | ||
| Big Girl Blues | Joanna Connor | C Major | 9 | 8B | 96 BPM |