Gliere, Jaime Laredo, Sharon Robinson's 'Gliere: Duets For Violin And Cello: Scherzo' had a release date set for June 26, 2007. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Gliere: Duets For Violin And Cello: Scherzo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Various: "Conversations" by Jaime Laredo, Sharon Robinson. The song's track number on the album is #11 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Gliere: Duets For Violin And Cello: Scherzo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Gliere: Duets For Violin And Cello: Scherzo by Gliere, Jaime Laredo, Sharon Robinson has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Gliere: Duets For Violin And Cello: Scherzo being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quintette avec clarinette in B Minor, Op. 115: III. Andantino, Presto | Johannes Brahms, Florent Héau, Quatuor Voce | E♭ Major | 1 | 5B | 154 BPM | ||
| Sonata for Solo Violin in D Major, Op. 115: II. Theme & Variations | Sergei Prokofiev, Tianwa Yang | B♭ Major | 0 | 6B | 92 BPM | ||
| The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction. Maestoso ed adagio | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | ||
| Three Compositions, Op. 40: II. Berceuse | Amy Beach, Elena Urioste, Tom Poster | G Major | 1 | 9B | 174 BPM | ||
| Grieg: Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Truls Mørk, Håvard Gimse | D♭ Major | 1 | 3B | 121 BPM | ||
| Concerto in A Minor for Violin and Cello, Op. 102: Andante | Johannes Brahms, Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | A Minor | 2 | 8A | 94 BPM | ||
| Piano Trio in A Minor, Op. 50: IIa. Var. 9, Andante flebile ma non tanto | Pyotr Ilyich Tchaikovsky, Trio Karénine | D♭ Minor | 0 | 12A | 87 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: II. Scherzo (Molto vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A♭ Major | 1 | 4B | 82 BPM | ||
| 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied (Arr. for Violin and Piano by Amanda Maier) | Robert Schumann, Trio Ernest | D♭ Major | 0 | 3B | 87 BPM | ||
| String Sextet No. 2, Op. 36: IV. Poco allegro | Johannes Brahms, Belcea Quartet, Tabea Zimmermann, Jean-Guihen Queyras | G Major | 1 | 9B | 80 BPM | ||
| 8 Pieces, Op. 39: VI. Impromptu | Reinhold Glière, Sonia Wieder-Atherton, Raphaël Oleg | F Major | 0 | 7B | 131 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Violin Sonata No. 3, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Augustin Dumay, Maria João Pires | A Major | 5 | 11B | 83 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 4 in E Major, Canon. Andante con moto | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E Major | 1 | 12B | 135 BPM | ||
| Harpsichord Concerto in F Minor, BWV 1056: II. Largo | Yoko Ara, Takehiko Yamada | F Major | 0 | 7B | 91 BPM | ||
| Beethoven: 14 Variations on an Original Theme in E-Flat Major, Op. 44: II. Variation 7 | Ludwig van Beethoven, Itzhak Perlman | E♭ Minor | 0 | 2A | 61 BPM | ||
| Violin Sonata, Op. 18: III. Finale. Andante – Allegro | Richard Strauss, Renaud Capuçon, Guillaume Bellom | E♭ Major | 0 | 5B | 174 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 2b, Fugue in A Minor | Dmitri Shostakovich, Sofia Sacco | D Minor | 2 | 7A | 122 BPM | ||
| String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Belcea Quartet | C Major | 2 | 8B | 85 BPM | ||
| Piano Quartet No. 3 in C Minor, Op. 60: II. Scherzo. Allegro | Johannes Brahms, Christian Tetzlaff, Barbara Buntrock, Tanja Tetzlaff, Lars Vogt | C Minor | 1 | 5A | 100 BPM | ||
| Bottesini: Double Bass Concerto No. 2 in B Minor: II. Andante | Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra | G Major | 1 | 9B | 72 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze | Clara Schumann, Claire Huangci, Tristan Cornut | E♭ Major | 1 | 5B | 138 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | E♭ Major | 1 | 5B | 138 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM |