"Exit Three" by Jonny Nash had its release date on April 10, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 8 in Exit Strategies by Jonny Nash. Exit Three is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Exit Three by Jonny Nash is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All I Ever Needed | Jonny Nash | D♭ Major | 2 | 3B | 92 BPM | ||
| Tears Falling While Spring Comes | Sophia Zhuravkova | B Major | 3 | 1B | 83 BPM | ||
| Echo Affinity | Taylor Deupree, Field Works | F♯ Major | 1 | 2B | 78 BPM | ||
| Yellow Sunset | Masahiro Takahashi | C Major | 2 | 8B | 74 BPM | ||
| Talk from Home | Suzanne Kraft | G Major | 4 | 9B | 166 BPM | ||
| Touch me & die | Kara-Lis Coverdale | F♯ Major | 2 | 2B | 180 BPM | ||
| Heisei | Felbm | A Major | 4 | 11B | 120 BPM | ||
| Fantasy | Roman Flügel | C Major | 0 | 8B | 81 BPM | ||
| Piano 2 (Mount Vision) | Emily A. Sprague | D♭ Major | 1 | 3B | 60 BPM | ||
| Glide V | Peter Davison | C Minor | 0 | 5A | 127 BPM | ||
| The Way Things Looked | Jonny Nash | B♭ Major | 4 | 6B | 160 BPM | ||
| From Memory | Suso Saiz | G Minor | 1 | 6A | 102 BPM | ||
| Reflector | David Moore, Bing & Ruth | B♭ Major | 0 | 6B | 76 BPM | ||
| The Sea in Your Eyes | Gigi Masin, Jonny Nash | D♭ Major | 0 | 3B | 102 BPM | ||
| Further Than Your Headlights | Wilson Tanner | G Major | 1 | 9B | 116 BPM | ||
| Refractory Cafe | Jonny Nash, Suzanne Kraft | E Minor | 0 | 9A | 53 BPM | ||
| Poems One & Fourteen | Jeremiah Chiu, Stephen Honer | A♭ Major | 2 | 4B | 129 BPM | ||
| In the Woods | E Ruscha V | A Major | 4 | 11B | 120 BPM | ||
| Treasure | Jonny Nash, Gigi Masin | D Major | 2 | 10B | 119 BPM | ||
| TWTGA | David Moore, Bing & Ruth | B♭ Major | 1 | 6B | 81 BPM | ||
| The Gentleman, Pt. 7 | kwajbasket | C Major | 0 | 8B | 99 BPM | ||
| Harp | Masayoshi Fujita | F♯ Minor | 1 | 11A | 74 BPM | ||
| Inside | Jonny Nash, Suzanne Kraft | A♭ Major | 0 | 4B | 115 BPM | ||
| The Stringer to Light Feed Frenzy | Brian McBride | G Major | 0 | 9B | 76 BPM | ||
| Greetings from Under the Ocean | Martin Glass | B♭ Major | 2 | 6B | 96 BPM |