Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act II Scene 2: Introduction" was released on its scheduled release date, May 26, 2009. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act II Scene 2: Introduction is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Rake's Progress, Act II Scene 2: Introduction by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
| Fauré: Élégie in C Minor, Op. 24 | Gabriel Fauré, Jacqueline du Pré, Gerald Moore | A♭ Major | 0 | 4B | 56 BPM | ||
| The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 110 BPM | ||
| Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
| Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo | Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 135 BPM | ||
| Coriolan, Op. 62: Coriolan Overture, Op. 62 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
| Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | ||
| Night on Bald Mountain | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D Major | 2 | 10B | 69 BPM | ||
| Turangalîla-Symphonie: I. Introduction | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | B Major | 4 | 1B | 152 BPM | ||
| The Miraculous Mandarin, Sz. 73: Introduction. Allegro | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
| Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
| Symphony in F Major, Op. 8, H. 47 "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
| Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | D Major | 1 | 10B | 85 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin | Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 80 BPM | ||
| 10 Pieces, Op. 12: No. 7, Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 76 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, II. The Miller's Dance - Farruca | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM |