idHw - Second Set by Steve Coleman, Jonathan Finlayson, Miles Okazaki, Anthony Tidd, Sean Rickman Song Details

Steve Coleman, Jonathan Finlayson, Miles Okazaki, Anthony Tidd, Sean Rickman's 'idHw - Second Set' had a release date set for August 10, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Steve Coleman's "Live at the Village Vanguard, Vol. 1 (The Embedded Sets)" album is number 3 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, idHw - Second Set's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of idHw - Second Set by Steve Coleman, Jonathan Finlayson, Miles Okazaki, Anthony Tidd, Sean Rickman to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -6.967 dB
Acousticness: 34%
Danceability: 50%
Energy: 68%
Instrumentalness: 9%
Liveness: 16%
Loudness: 88%
Speechiness: 7%
Valence: 37%

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