Aaron Davis, Margaret Atwood, Hannaford Street Silver Band, Measha Brueggergosman, George Koller, Mark Mariash's 'Shadow (Version for Voice & Chamber Ensemble)' had a release date set for March 1, 2024. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. This song is part of Zombie Blizzard by Aaron Davis, Margaret Atwood, Measha Brueggergosman, Hannaford Street Silver Band. The song's track number on the album is #16 out of 20 tracks. Based on our data, Canada was the country where this track was produced or recorded. In terms of popularity, Shadow (Version for Voice & Chamber Ensemble) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Shadow (Version for Voice & Chamber Ensemble) by Aaron Davis, Margaret Atwood, Hannaford Street Silver Band, Measha Brueggergosman, George Koller, Mark Mariash has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Shadow (Version for Voice & Chamber Ensemble) being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Three Kings | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | E Minor | 1 | 9A | 111 BPM | ||
| Hey Bubba | Android, Patrick DSP | C Major | 10 | 8B | 150 BPM | ||
| While by My Sheep | The Choirs of Our Lady of Mount Carmel Church | A Minor | 3 | 8A | 126 BPM | ||
| Virtuefaith | Lautenor | B♭ Minor | 8 | 3A | 120 BPM | ||
| Everybody Loves Louis | Jessica Molaskey | B Minor | 3 | 10A | 120 BPM | ||
| The Lord's My Light | Andrey Jackson | B Major | 0 | 1B | 72 BPM | ||
| Angels of the Realm of Glory | Merlin Willow | D♭ Major | 0 | 3B | 73 BPM | ||
| Simple Joy - Original Mix | Ronny K., Android | D♭ Major | 10 | 3B | 138 BPM | ||
| Too Many Mornings | Marin Mazzie, Jason Danieley | B Major | 3 | 1B | 138 BPM | ||
| Afterword | Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Crystal Silent | Juan Martínez Pérez, Elson Complex | B Major | 1 | 1B | 181 BPM | ||
| Night Waltzes: Love Takes Time / Remember? / In Praise of Women / Perpetual Anticipation / The Sun Won't Set (From A Little Night Music) | Christopher Durang, Michael Rupert, Julie Andrews, Rachel York, Stephen Collins | D♭ Major | 1 | 3B | 178 BPM | ||
| Quintet No. 3 in D-Flat Major, Op. 11: IV. Vivo | Victor Ewald, Center City Brass Quintet | D♭ Major | 1 | 3B | 123 BPM | ||
| Kommt, wir teilen das Brot am Tisch des Herrn: Sätze | Gloria Brass | F Major | 1 | 7B | 66 BPM | ||
| I Am The Pain | GreyWolve | B♭ Minor | 8 | 3A | 120 BPM | ||
| Little Dream (From "The Birdcage") | Susan Egan | F Major | 2 | 7B | 105 BPM | ||
| Когда предвидя | Західноукраїнське об'єднання МСЦ ЄХБ | E♭ Major | 2 | 5B | 107 BPM | ||
| Toccata & Fugue in D Minor, BWV 565 | Peter Steiner, Constanze Hochwartner | D Major | 0 | 10B | 55 BPM | ||
| Sonata for Trumpet and Piano: 2. Allegretto | Eric Ewazen, Joseph Foley, Bonnie Anderson | F♯ Major | 0 | 2B | 69 BPM | ||
| Nun bitten wir den Heiligen Geist: Vorspiel | Gloria Brass | F Major | 1 | 7B | 81 BPM | ||
| You're Gonna Love Tomorrow / Love Will See Us Through | Howard McGillin, Jim Walton, Daisy Prince, Liz Callaway | F♯ Major | 4 | 2B | 96 BPM | ||
| Pavane | John Bull, The Philip Jones Brass Ensemble | F Major | 0 | 7B | 120 BPM | ||
| Hanged, Drawn, and Quartered | Static Spirit | D Major | 10 | 10B | 130 BPM | ||
| Off Ya Mark | Hidden Renaissance, Praxeye, Jeph Early | A♭ Major | 9 | 4B | 82 BPM | ||
| Anders Högstedt: A Night At The Opera VIII | Anders Högstedt, Axiom Brass, Christian Lindberg | G Major | 1 | 9B | 112 BPM |