Daniel Murray's 'Bate-Boca' had a release date set for April 4, 2011. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Tom Jobim para Violão Solo". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Brazil. Based on our statistics, Bate-Boca's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bate-Boca by Daniel Murray having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cinq préludes, W 419: No. 2, Homenagem ao Malandro Carioca | Heitor Villa-Lobos, Giulia Ballaré | C Major | 1 | 8B | 104 BPM | ||
| L' attesa | Joe Pisto | A Minor | 1 | 8A | 133 BPM | ||
| Serie Americana: Tonada | Hector Ayala, Victor Villadangos | A Major | 1 | 11B | 123 BPM | ||
| Drei Fantasiestücke | Jack Fortner, Daniel Murray, Herivelto Brandino | A♭ Major | 1 | 4B | 92 BPM | ||
| Chiquilín de Bachín (Arr. V. Coves for Guitar) | Vicente Coves | A Minor | 2 | 8A | 97 BPM | ||
| Canção e Dança: II. Segundo Movimento | Daniel Murray Santana, Daniel Murray | E♭ Major | 1 | 5B | 127 BPM | ||
| Bella Ciao | Karlijn Langendijk, Siccas Guitars | E Minor | 2 | 9A | 111 BPM | ||
| Homenaje | Mateo Selva | G Major | 1 | 9B | 137 BPM | ||
| Romanceiro | Edino Krieger, Edelton Gloeden | D Major | 1 | 10B | 97 BPM | ||
| Veil of Stillness | Mauricio Galbardi | E Major | 3 | 12B | 131 BPM | ||
| Preludio de Adiós | Luis Sierra | A Minor | 1 | 8A | 111 BPM | ||
| Lendas Brasileiras | Zé Paulo Becker | E♭ Major | 1 | 5B | 93 BPM | ||
| Partidas e Reencontros | Alexandre Guerra, Chrystian Dozza, Daniel Murray | G Minor | 1 | 6A | 111 BPM | ||
| Sons de Carrilhões | Arthur Nestrovski | D Major | 2 | 10B | 77 BPM | ||
| Brevidade III: Calmaria | Daniel Murray, Luiz Amato, Sarah Hornsby, Gustavo Barbosa-Lima, Caíto Marcondes, Adriana Holtz, Pedro Gadelha | E Minor | 1 | 9A | 95 BPM | ||
| Pueblero | Carolina Barenbaum | E Minor | 2 | 9A | 125 BPM | ||
| Mimi | Lukas Proyer | D Major | 3 | 10B | 110 BPM | ||
| Universum - Arr. for Guitar by Fred Holmlund | Ted Gärdestad, Fred Holmlund | G Major | 1 | 9B | 132 BPM | ||
| São Paulo Quatrocentão | Paulo Bellinati, Swami Jr., Daniel Murray | E Minor | 2 | 9A | 99 BPM | ||
| Aquarelle: II. Valseana | Sérgio Assad, Pedro Aguiar | D Major | 1 | 10B | 77 BPM | ||
| Lejanía. Preludio No. 1 de la Serie de Preludios Nostálgicos | Maria Luisa Anido, Berta Rojas | C Major | 2 | 8B | 134 BPM | ||
| Di Menor | Chico Saraiva, Daniel Murray | D Minor | 2 | 7A | 108 BPM | ||
| Guasa | Celedonio Romero, Vicente Coves | F Major | 1 | 7B | 90 BPM | ||
| Vestígios | Ulisses Rocha | E Minor | 2 | 9A | 94 BPM | ||
| Keep it simple | Dan Bear | G Major | 3 | 9B | 200 BPM |