Bernardo Pasquini, Rinaldo Alessandrini's ' "Canzona Franzese I" was released on its scheduled release date, April 1, 1991. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Canzona Franzese I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #2. Canzona Franzese I is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Canzona Franzese I by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nisi Dominus, ZWV 92: Nisi Dominus - World Premiere Recordings | Jan Dismas Zelenka, Ensemble Inégal, Prague Baroque Soloists, Adam Viktora, Gabriela Eibenová, Filippo Mineccia, Tobias Hunger, Jiri Miroslav Prochazka | A♭ Minor | 3 | 1A | 112 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Ouverture in E Minor, TWV 55:e1: VII. Gigue | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E Major | 2 | 12B | 125 BPM | ||
| Pièces de clavecin en concerts, Cinquième Concert, RCT 11: II. La Cupis (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | D Minor | 1 | 7A | 131 BPM | ||
| Ouverture-Suite In D Major TWV 55:D6: V. Bourée | Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 3 | 4B | 129 BPM | ||
| Servo, signor Lindoro (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Rupert Charlesworth, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
| L'Orfeo, SV 318, Act 1: No. 4, Lasciate i monti | Claudio Monteverdi, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Major | 5 | 5B | 82 BPM | ||
| Confitebor tibi, Domine, RV 596: I. Terzetto, "Confitebor tibi, Domine" | Antonio Vivaldi, Margherita Maria Sala, Valerio Contaldo, Alessandro Ravasio, Coro e Orchestra Ghislieri, Giulio Prandi | B Major | 2 | 1B | 107 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | A♭ Major | 0 | 4B | 93 BPM | ||
| Sonata No. 1 in F Major, Op. 1: III. Adagio | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | E♭ Major | 0 | 5B | 67 BPM | ||
| Ouverture in E Minor, TWV 55:e1: V. Passepied | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Major | 1 | 5B | 99 BPM | ||
| Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
| Timon of Athen, Z. 632: Curtain Tune | Henry Purcell, Les Musiciens De Saint-Julien, François Lazarevitch | F♯ Minor | 3 | 11A | 122 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| Les Indes Galantes - 2ème Air pour les Zephirs | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 0 | 3B | 65 BPM | ||
| Trio Sonata in G Minor: I. Adagio | Giovanni Battista Draghi, La Rêveuse, Florence Bolton, Benjamin Perrot | A♭ Minor | 2 | 1A | 110 BPM | ||
| Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš Král | E♭ Minor | 2 | 2A | 98 BPM | ||
| Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
| Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
| Beatus vir: I. Beatus vir | Domenico Zipoli, Florilegium, Bolivian Soloists | E Major | 2 | 12B | 117 BPM |