"Prelude" by Rebecca Clarke, Robert Plane, Philip Dukes had its release date on January 30, 2007. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 14 in Clarke, R: Viola Music by Rebecca Clarke, Philip Dukes. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude by Rebecca Clarke, Robert Plane, Philip Dukes is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| 8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | ||
| Concerto for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Jorge Bolet, Juilliard String Quartet | A Minor | 2 | 8A | 89 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: I. Andante (Poco più animato) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | E♭ Major | 1 | 5B | 92 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | G Major | 1 | 9B | 66 BPM | ||
| Fantasiestücke, Op. 73 (Version for Cello & Piano): I. Zart und mit Ausdruck | Robert Schumann, Gabriel Schwabe, Nicholas Rimmer | D Minor | 1 | 7A | 100 BPM | ||
| From Jewish Life, B. 54: I. Prayer | Ernest Bloch, Emmanuelle Bertrand, Pascal Amoyel | D♭ Major | 1 | 3B | 149 BPM | ||
| With Rue My Heart Is Laden, Op. 2 No. 2 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B Minor | 0 | 10A | 66 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Three Irish Country Songs: I Know my Love | Rebecca Clarke, Jonathan Rees, Kathron Sturrock | G Major | 0 | 9B | 96 BPM | ||
| Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 94 BPM | ||
| The Donkey | Rebecca Clarke, Patricia Wright, Jonathan Rees, Kathron Sturrock | D Major | 1 | 10B | 118 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| L'Ondine, Op. 101 | Cécile Chaminade, Anette Muller-Roos | E♭ Major | 1 | 5B | 80 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | G Major | 0 | 9B | 88 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | G Major | 1 | 9B | 66 BPM | ||
| Cello Sonata, FP 143: II. Cavatine. Très calme | Francis Poulenc, Jean-Guihen Queyras, Alexandre Tharaud | D♭ Major | 0 | 3B | 110 BPM | ||
| Love's Labour's Lost, Op. 28: 2. Soliloquy 2: Did not the heavenly rhetoric of thine eye - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 0 | 7B | 72 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Concert pour piano, violon et quatuor à cordes in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Boito Quartet, Leonardo Zunica, Paolo Ghidoni | D Minor | 1 | 7A | 138 BPM | ||
| Elgar: Carissima (Version for Violin and Piano) | Edward Elgar, Vilde Frang, Thomas Hoppe | G Major | 0 | 9B | 104 BPM | ||
| Sonata in A Major for Violin and Piano: 1. Allegretto ben moderato | César Franck, Kyung Wha Chung, Radu Lupu | F Major | 1 | 7B | 113 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM |