On 1998, the song "Perdido" was released by Tim Laughlin, Tom Morley. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Talkin' Swing". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The popularity of Perdido is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Perdido by Tim Laughlin, Tom Morley having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toulouse St. Blues | Ryan Burrage | G Minor | 3 | 6A | 111 BPM | ||
| To Be or Not to Be Flat | Reverent Juke | D♭ Major | 4 | 3B | 119 BPM | ||
| Salty Dog | George Lewis | E♭ Major | 4 | 5B | 172 BPM | ||
| Please Don't Talk About Me When I'm Gone | The New Orleans Jazz Vipers | A♭ Major | 4 | 4B | 155 BPM | ||
| Sweet Vanilla | Le Dancing Pepa Swing Band, Eduard Marquina-Selfa | E♭ Major | 2 | 5B | 128 BPM | ||
| Yacht Club Swing | Daniel Duspiwa, The Big Five | E Major | 7 | 12B | 124 BPM | ||
| A Swinging Guy | Popoff & His Bootleggers | C Major | 3 | 8B | 136 BPM | ||
| When You're Smiling (The Whole World Smiles With You) | Benny Goodman Trio | E♭ Major | 3 | 5B | 157 BPM | ||
| The Nearness of You | Ewan Bleach Quartet | F Major | 1 | 7B | 71 BPM | ||
| Oh, Lady Be Good! | Michael Gamble & The Rhythm Serenaders | G Minor | 2 | 6A | 170 BPM | ||
| Wild Man Blues | Johnny Dodds | C Minor | 1 | 5A | 101 BPM | ||
| The Gal From Joe's | Charlie Barnet | E♭ Major | 6 | 5B | 92 BPM | ||
| Don't Be Flat | Reverent Juke | A♭ Major | 4 | 4B | 98 BPM | ||
| Mélodie au crepuscule | Stephane Wrembel | D Major | 1 | 10B | 107 BPM | ||
| Big Butter And Eggman | The Bourbon Street Stompers | C Major | 4 | 8B | 133 BPM | ||
| Dixieland Shuffle | Bob Crosby & His Orchestra | A♭ Major | 3 | 4B | 102 BPM | ||
| Like It Is | Andreas Sobczyk Quartett | B♭ Minor | 7 | 3A | 118 BPM | ||
| Just a Little Closer | Weiss Gram | C Minor | 3 | 5A | 77 BPM | ||
| You Can’t Live in Harlem | Mint Julep Jazz Band | D Major | 4 | 10B | 123 BPM | ||
| Bluer Than Blue | Adrian Cox, Honey Boulton, Alex Gilson | F Major | 1 | 7B | 90 BPM | ||
| Serenade for a Stolen Night | Gypsy Swing Revue, Gypsy Jazz Caravan, Gypsy Jaz Mue-Zik, Cavendish Music | F♯ Major | 5 | 2B | 118 BPM | ||
| Rapturous Night | live console | F Major | 5 | 7B | 152 BPM | ||
| Twilight in Soho | Ray Gelato | D♭ Major | 5 | 3B | 76 BPM | ||
| Basin Street Blues | The Dukes Of Dixieland, New Orleans Pops Orchestra | D Minor | 3 | 7A | 101 BPM | ||
| Ain't Misbehavin' - Live | Albert Nicholas | A♭ Major | 4 | 4B | 172 BPM |