On January 1, 1969, the song "Dadikala Matha" was released by Hada Bandi Gee, Rukmani Devi. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Dadikala Matha's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Rukmani Devi Best Collection". In this album, this song's track order is #6. In terms of popularity, Dadikala Matha is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Dadikala Matha by Hada Bandi Gee, Rukmani Devi having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kawiyak Wee | Asanka Priyamantha | F Minor | 5 | 4A | 102 BPM | ||
| Sihinayaki Oba | Buddhika Athauda, Bandara Athauda, Niranjala Sarojini | C Major | 5 | 8B | 113 BPM | ||
| Malata Suwanda Se - Hiru Unplugged Version | Rohana Weerasinghe, Sunil Edirisinghe | F Minor | 6 | 4A | 141 BPM | ||
| Obata Sitha Adare Karai | Hada Bandi Gee, Dayarathna Perera | G Major | 5 | 9B | 121 BPM | ||
| Konda Kirilliye | Rohana Weerasinghe, Karunarathna Divulgane | G Major | 5 | 9B | 126 BPM | ||
| O mere pran papihe, tu piu piu kar nij antar par | Brahma Kumaris | F Major | 4 | 7B | 78 BPM | ||
| Pawuru Walallak | Annesley Malawana, Indrani Perera, Lilanthi Karunanayake | F Major | 4 | 7B | 151 BPM | ||
| Gori Tor Pairi Ma | Mamta Chandrakar, Mithlesh Sahu | B♭ Minor | 9 | 3A | 144 BPM | ||
| Ahasai Oba Mata | Deepika Priyadarshani, Rohana Weerasinghe, Sunil Edirisinghe | F Major | 2 | 7B | 102 BPM | ||
| Vaa Vaa Anbe | Ilaiyaraaja, K. J. Yesudas, S. Janaki | B♭ Major | 5 | 6B | 111 BPM | ||
| Mindada Hee Sara | W. D. Amaradeva | C Major | 5 | 8B | 101 BPM | ||
| Phool Jhare | Mithlesh Sahu, Shailbhama Mahapatra | B♭ Minor | 9 | 3A | 114 BPM | ||
| Khorang Khwlaikhe | Biswanath Debbarma, Manadebi Jamatia | B Minor | 4 | 10A | 72 BPM | ||
| Kalyaniye Oba Nasu Kathawak Kiyannam | Hada Bandi Gee, JA Milton Perera | A♭ Major | 4 | 4B | 164 BPM | ||
| Mal Pibidena Eka | Rookantha Gunathilake | D Major | 7 | 10B | 81 BPM | ||
| Sudu Neluma | W. D. Amaradeva | D Major | 3 | 10B | 80 BPM | ||
| Anumale | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | F Major | 6 | 7B | 97 BPM | ||
| Ayyane Swamiye | M. G. Sreekumar | G Major | 7 | 9B | 161 BPM | ||
| Priyane Nee Pournamiyakumenkil | Umbayee, Gayathri | B Major | 4 | 1B | 89 BPM | ||
| O Hare Dupattewali | Vipin Sachdeva | F Major | 8 | 7B | 93 BPM | ||
| Asoka Mal Maala | Chandimal Fernando | F Major | 7 | 7B | 168 BPM | ||
| Tharuna Jivithe | Rajiv | D Major | 6 | 10B | 120 BPM | ||
| Ma Sanasa | Mervin Perera | F Minor | 6 | 4A | 121 BPM | ||
| He Betho Joban Ni Dal | Alka Yagnik | F♯ Major | 5 | 2B | 98 BPM | ||
| Maala Giraviye | Rathna Sri Wijesinghe | D Minor | 7 | 7A | 180 BPM |