"Cello Suite No. 1: Prelude, Arranged For Six String Fretless Electric Bass" by Bach To The Future had its release date on March 21, 2009. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Cello Suite No. 1: Prelude, Arranged For Six String Fretless Electric Bass's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 23 in Classical Music Meets Jazz: Pachelbel's Canon In D, Beethoven's Fifth Symphony, Flight Of The Bumblebee by Bach To The Future. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Cello Suite No. 1: Prelude, Arranged For Six String Fretless Electric Bass is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 1: Prelude, Arranged For Six String Fretless Electric Bass by Bach To The Future is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seasons | Enoch | G Major | 9 | 9B | 95 BPM | ||
| Come All Ye Faithful | Loulou Metellus | G Major | 2 | 9B | 102 BPM | ||
| Joy To The World | Bach To The Future | F Major | 5 | 7B | 79 BPM | ||
| Interstellar Something | Voronoi | A♭ Major | 6 | 4B | 110 BPM | ||
| Modern Times | Steps Ahead | D Major | 2 | 10B | 97 BPM | ||
| Musa del Mare | Loungephoria | F Minor | 4 | 4A | 126 BPM | ||
| The Moon | Black Stains | F♯ Minor | 10 | 11A | 110 BPM | ||
| Contact | BANTAMWEIGHT | D Minor | 9 | 7A | 93 BPM | ||
| Force Feed | FES | G Major | 7 | 9B | 71 BPM | ||
| Blooming | Bossa Nostra | G Minor | 3 | 6A | 126 BPM | ||
| Topsy (Arr. T.P.T. Newsom) | Doc Severinsen Big Band | B♭ Major | 5 | 6B | 140 BPM | ||
| Piano Solo: Waterfall (Live) | Bach To The Future | C Major | 3 | 8B | 134 BPM | ||
| Escape Route | Aaron Cravens | F Minor | 10 | 4A | 150 BPM | ||
| With You I'm Born Again | Eric Gale | D Minor | 5 | 7A | 168 BPM | ||
| Act II: Agonist of the Hope | Kubera | B Minor | 10 | 10A | 140 BPM | ||
| Third Path | Threnody | E Major | 10 | 12B | 155 BPM | ||
| Round the Clock | Borhan Mt, Soroush Bighashdel | B♭ Minor | 7 | 3A | 120 BPM | ||
| The Circus | Arimea | G Major | 9 | 9B | 95 BPM | ||
| With a Smile | New Damage | F♯ Major | 10 | 2B | 96 BPM | ||
| Reborn | GIANT FRAGMENTS | B Minor | 9 | 10A | 156 BPM | ||
| Dunwich, Pt. 2: - The Diary | Warg | F Minor | 10 | 4A | 95 BPM | ||
| Passacaglia & Fugue | US Army Field Band Jazz Ambassadors | C Minor | 3 | 5A | 105 BPM | ||
| Way Beyond Reason - Drum Play-along | Juan van Emmerloot | A Minor | 3 | 8A | 118 BPM | ||
| Petit Fleur | Gene Krupa | G Minor | 2 | 6A | 105 BPM | ||
| Cloudless Sky | The low key project | F Major | 2 | 7B | 154 BPM |