"Under the Oak" by Candlemass had its release date on 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 13 in Epicus Doomicus Metallicus by Candlemass. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Under the Oak's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Under the Oak by Candlemass is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crying for Death | Morbid Saint | D♭ Major | 10 | 3B | 122 BPM | ||
| Out of the Body | Pestilence | D Major | 10 | 10B | 103 BPM | ||
| When The Link Becomes Missing | Control Denied | G Minor | 10 | 6A | 156 BPM | ||
| Evil Has No Boundaries | Slayer | A Major | 9 | 11B | 176 BPM | ||
| Come to the Sabbath | Mercyful Fate | E Minor | 8 | 9A | 134 BPM | ||
| Phantasmagoria | Cathedral | G Major | 9 | 9B | 137 BPM | ||
| Bonded by Blood | Exodus | E Minor | 10 | 9A | 157 BPM | ||
| Necromancy | Bathory | B♭ Major | 9 | 6B | 96 BPM | ||
| Flaming Metal System | Manilla Road | F Major | 9 | 7B | 97 BPM | ||
| Dream Of Immortality | Solitude Aeturnus | G Major | 7 | 9B | 105 BPM | ||
| God of Emptiness (I. The Accuser, II. The Tempter) | Morbid Angel | B♭ Major | 9 | 6B | 156 BPM | ||
| Demons Gate | Candlemass | E Major | 8 | 12B | 127 BPM | ||
| Black Sabbath Medley | Candlemass | A♭ Major | 8 | 4B | 140 BPM | ||
| Sex and Violence | Carnivore | B Major | 10 | 1B | 155 BPM | ||
| Desecration of Souls | Mercyful Fate | D Major | 9 | 10B | 105 BPM | ||
| Murder | Katatonia | A♭ Major | 8 | 4B | 126 BPM | ||
| Buried and Forgotten | Hellhammer | A Major | 10 | 11B | 115 BPM | ||
| Through The Infinitive Halls Of Death | Candlemass | E Major | 9 | 12B | 78 BPM | ||
| Diäb Soulé | Acid Bath | F Minor | 8 | 4A | 77 BPM | ||
| Back To Zero | The Obsessed | D♭ Minor | 9 | 12A | 93 BPM | ||
| Black Erotica | Katatonia | B Minor | 7 | 10A | 108 BPM | ||
| Necromantical Screams | Celtic Frost | D♭ Minor | 9 | 12A | 74 BPM | ||
| Join the Leigon | Cirith Ungol | C Major | 8 | 8B | 143 BPM | ||
| Death Metal | Possessed | B Major | 10 | 1B | 101 BPM | ||
| Tormentor | Slayer | C Major | 9 | 8B | 123 BPM |